A Quote by Katie Findlay

I love biographies. I'm especially into stuff about Hollywood in the '40s and '50s. I find it fascinating and terrifying. — © Katie Findlay
I love biographies. I'm especially into stuff about Hollywood in the '40s and '50s. I find it fascinating and terrifying.
I love James Taylor and Carole King, Joni Mitchell - this is, like, early '70s stuff. I love the stuff from the '40s. I love that tight harmony that the studio singers in the '50s would sing. I love Patsy Cline. Yeah, I'm all over the place.
I would like to have directed Hollywood musicals in the '40s and '50s.
I've always had a thing for old movies, old Hollywood. I've always just loved watching Marilyn Monroe and Greta Garbo. In all of those old movies from the '40s and '50s, women put themselves together so well, with a little bit of drama and elegance. That was fascinating to me growing up.
The political vibe of late-'40s Hollywood through the mid-'50s is something we're seeing a lot of echoes of right now, and in a scary way, where I'm wishing for an Edward R. Murrow to stand up and start somehow calling people on stuff. But as far as the way the industry works, I feel like we're in a place where you see companies slowly moving back to only doing their own stuff.
By the '40s, Sam Goldwyn is a very serious man. By the '50s, he's the dean of American producers. To the end, he was Hollywood's gray eminence.
I love the '40s. I love the '50s. I love the style, I love the clothes. I love how the women looked. I love the dances. I love the music. I love the amber of the light. I'm just in love with the cars. I'm in love with all of it.
I think Hollywood has gone in a disastrous path. It's terrible. The years of cinema that were great were the '30s, '40s, not so much the '50s...but then the foreign films took over and it was a great age of cinema as American directors were influenced by them and that fueled the '50s and '60s and '70s.
I grew up reading biographies on groups, and I love all that. The thing about biographies, it's the old cliché but it's true - a lot of the time these things are more about the author than they are about the group.
I just kind of had my own impressions growing up with Hoover as a heroic figure in the 40s - actually the 30s, 40s, and 50s and beyond - but this was all prior to the information age so we didn't know about Hoover except what was usually in the papers, and this was fun, because this was a chance to go into it [ during filming 'J. Edgar Hoover' ]
I love '50s music, all that stuff from the '50s.
Everything is just make believe. They're just different versions of make believe. I love the period of this movie [The Finest Hours]. I love the '40s. I love the '50s. I love the style of the clothes. I love how the women looked. I love the dances. I love the music. I love the amber of the lights and the cars. I'm in love with all of it.
Many many people find themselves wondering in their 40s and 50s, is this all there is?
They took my 30s, my 40s, my 50s, but what they couldn't take was my joy. I couldn't do nothing about the years, but I could control my joy... I kept a smile on my face; I kept love in my heart.
Everything is energy. It's physics. So I find the science of it all interesting; how 90% of stuff that's in our universe is made of stuff that we can't even measure. I find that fascinating.
I've got all of the old school vinyls from the '70s - even further back, like the jazz music in the '40s, '50s, '60s. Then I've got all the '80s stuff underground, hip-hop when hip-hop really first started. The '90s stuff. All of the good stuff, because I'm really into music, and it helps me create new songs now.
The '50s were terrifying with nuclear bomb stuff but boring in a social way, and then the '60s were happening, and remember, there was no AIDS.
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