A Quote by Katie Finneran

I love singing and I think I have a really nice voice, but I don't think I have an unbelievable singing voice. I think I have a great character voice. — © Katie Finneran
I love singing and I think I have a really nice voice, but I don't think I have an unbelievable singing voice. I think I have a great character voice.
I'll never feel as comfortable singing as I do playing. The mandolin is my real voice. My actual voice is sort of my secondary voice, but I love to do it and I love giving people relief from playing with a little bit of singing.
Hormone replacement therapy does not change or affect your voice. And I have no problem with my voice: I really like my singing voice, I don't feel any dysphoria with my talking voice.
I love singing. I've never felt I've had a great voice but I feel I've gotten better. It's funny. I can hear my voice aging and getting stronger. I've relaxed about my singing so I'm hearing it the way I like it.
I don't think a solo album is me. I don't consider my voice to be that kind of a voice. Not that I don't love singing, but Broadway was my original dream. That's what I've always wanted to do.
I worked on my voice for 'Sweet Dreams' but only to match my speaking voice to Patsy's actual singing voice. That was my way into that character.
I worked on my voice for Sweet Dreams, but only to match my speaking voice to Patsy's actual singing voice. That was my way into that character.
There are no words and there is no singing, but the music has a voice. It is an old voice and a deep voice, like the stump of a sweet cigar or a shoe with a hole. It is a voice that has lived and lives, with sorrow and shame, ecstasy and bliss, joy and pain, redemption and damnation. It is a voice with love and without love. I like the voice, and though I can't talk to it, I like the way it talks to me. It says it is all the same, Young Man. Take it and let it be.
I'm not going to do anything that will damage my voice because my voice is my career and singing is my passion. I was singing in the cot and I'll still be singing when they're nailing down my coffin.
My own singing voice is not very good and I don't think that anybody really sings in their own voice.
I've auditioned for animation stuff for a long time; that's a tough field to crack into. I don't think I have the strongest voice. I don't have a theater-trained voice or a radio voice, but I think I make good character choices.
I have a very clear understanding of what my voice is. It's like a B voice. It hovers around B-minus, B-plus. I have great friends who are wonderful singers, and I know I'll never be able to do that. But singing through a character is something I can do.
I want to make the music that's not there anymore. I'm so passionate about the singing voice... What I'm trying to do actually with my album is show that it's my voice that's leading. It's my voice that's the instrument.
I think - I really think my voice has gotten better in the last two or three years. I don't know why. I've been doing a lot of - a lot more lead singing, and everybody tells me that my voice was better than ever and I agree with them. Maybe I've learned to do more with it. I don't know what.
I'll meet listeners who tell me what a great voice I have. But I don't have a great voice for radio. My voice is the utterly normal voice, but sheer repetition has made them think it's OK. Mick Jagger once was asked, 'What makes a hit song? He said, 'Repetition.'
We cannot have peace on Earth until we learn to speak with one voice. That voice must be the voice of reason, the voice of compassion, the voice of love. It is the voice of divinity within us.
The expectation is this low, gravelly voice for John, but I went through his early recordings and there were songs in there where the voice was so different, I wasn't even sure if it was him singing, ... So it was interesting to me that we would see him develop the Man in Black sound. I thought it was really important that his voice change as his persona slowly solidified. The music was really the doorway into the character.
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