A Quote by Katie Hafner

Divorce, and broken marriages, are all around us, but they're not frequently depicted on screen, or if they are, they're often depicted in ways that have very little to do with reality.
In the U.K., working-class lives are depicted with the characters' humour, but in the U.S., people with difficulties are often depicted with pious or simply dreary lives.
I have a little bit of a pet peeve about how the middle class is depicted in movies. I feel like they tend to be either depicted in a very sentimental way, where everybody has a heart of gold except for the villains you're supposed to hiss at, or there's a sort of indie-style version... When it's done well, it's brilliant, it's 'Blue Velvet.'
I have a little bit of a pet peeve about how the middle class is depicted in movies. I feel like they tend to be either depicted in a very sentimental way, where everybody has a heart of gold except for the villains you're supposed to hiss at, or there's a sort of indie-style version... When it's done well, it's brilliant, it's Blue Velvet. But when it's done poorly, it feels like shooting fish in a barrel, just saying, "Ooh, scary suburbs."
We literally have some of us in the modern culture trying their best to stomp out every other way of life, really. People in tribes are depicted as completely primitive and crazy. The way that we live is very pigheaded and very unaccepting of other ways of life, especially in America.
I have to have a seat at the table. I have to have a say on how we, as African-Americans, are produced and depicted around the world. Along the way, I'll be very fair to white people.
There are two parties involved in every corrupt transaction, typically a government official and a business person. Yet those who pay bribes are often depicted as innocent victims ... The reality is that both parties conspire to defraud the public.
U.S.-Israel relations are often depicted as an extended honeymoon, but that's a false image.
Photographs need to demand the viewer's attention, often implicitly, posing questions as to the nature of what is being depicted. Photographs are not there to show us the world, but to show us a version of what may be happening.
On the silver screen, capitalists are usually vilified as greedy and heartless, while statists of every stripe are depicted as selfless, romantic idealists who only want to help people.
The Prohibition era is so vividly depicted in 'Lawless.' John Hillcoat does a remarkable job of rooting his film in such a tangible reality.
The Prohibition era is so vividly depicted in Lawless. John Hillcoat does a remarkable job of rooting his film in such a tangible reality.
The wholeness, coherence, identity, which we attribute to the depicted scene [in a photograph] is a projection, a refusal of an impoverished reality in favour of an imagined plenitude.
Novels set in distant places give us expectations not unlike those we have of travel writing, and often the distinctions are blurred, as in, say, the way the low life of Tokyo's Shinjuku Ward is depicted in John David Morley's recent 'Pictures from the Water Trade.'
Southern Appalachians have been ridiculed since the country began. In fiction, they're usually depicted in a cartoonish manner. The region is poor, and very suspicious of outsiders, so there's a sort of 'us versus them' situation. They're easy to poke fun at.
For much of America, the all-American values depicted in Norman Rockwell's classic illustrations are idealistic. For those of us from Vermont, they're realistic. That's what we do.
This is a very pivotal time in America and I think families are still reeling from events depicted in that movie [The Big Short ].
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