A Quote by Katie Hill

Playing nice isn't really something that's in my vocabulary. I just do what I think is right. — © Katie Hill
Playing nice isn't really something that's in my vocabulary. I just do what I think is right.
I think clothing is transformative. When you put something really beautiful on, you feel something. In so many ways, we're always playing a form of dress-up - it's just a grown-up, much chicer version of it. It's nice to be able to be whoever you want to be.
I think clothing is transformative. When you put something really beautiful on, you feel something. In so many ways, were always playing a form of dress-up - its just a grown-up, much chicer version of it. Its nice to be able to be whoever you want to be.
I didn't really think I was really good, I was just playing the game because I enjoyed playing it with my friends. Then once I started playing organized soccer, parents, coaches and other teammates were telling me to keep going and that I could become something so I started believing it.
Science gives us a powerful vocabulary, and it is impossible to produce a vocabulary with which one can only say nice things.
It's funny; I think I'm at a level of recognizability - is that even a word? - where it's just really nice. I think when people are really famous, it can be hard for them because they feel like it's an invasion. But for me, it's just a few times every day when someone will say something sweet and validating, and it's just the best.
We haven't developed a progressive vocabulary. We say something is "public," but we just mean it's viewable online. Or we say it's "open," but we just mean it's accessible. I would like for us to think about terms critically and maybe change our vocabulary a bit. What if pubic actually meant publicly-funded, or social meant socialized.
Playing Willie Loomis was really fun for me because it was something nice and different to embody. It was neat playing this drunken servant who was hypnotized by Johnny Depp.
It's not really about confidence. It's just something that isn't really in the vocabulary of what goes on at work. The writers write and the actors act.
I just think that the question of women in rock or women playing guitar, I just think it's such a non-issue, and I think that probably the sooner critics and press outlets can just erase the 'what's it like being a women in rock?' question from their vocabulary, the better off everyone will be.
There's something cool about playing 'Tempted' and then picking up the mandolin and playing 'Dark as a Dungeon' and standing on the classics. It's nice to just let soul rule.
A Grammy is really nice, but having lots of fans is really nice, too. I think just getting a record out is a success on its own.
I got myself a really nice nib pen, with like 15 kinds of India Ink, and tons of different nibs; I think I was just procrastinating, like, once I have the right nib, the book is just going to jump right out of my fingertips... but then it just ended up looking like the shitty drawings that I usually do.
I really do not think about 'Oh, right now I have to defend those points and this title.' I just really want to enjoy playing on the court, in front of the fans.
I think everything about it. Just the experience, but mainly performing live for people. I think if it wasn't for playing in front of audiences, I don't think that anyone would want to play music. That's where you get all your gratification. It's just something else to be up on stage, playing music that you wrote and having people enjoy it - and have it mean something to them also.
When I'm naked, I really like to do push-ups. No. I think I really tackle it like everything else. If you're going to commit yourself to playing something, you have to be able to understand it. If you can understand it, then you can do it and go balls out with it. But, I've never been in a position where I've been like, "This doesn't feel right." I wouldn't do it, if it was that. I like the shock value of it. I think that, if you use it correctly, it's pretty effective, as long as I'm lit really, really, really well.
I think there's an attitude these days that you can go straight from a studio to the stage, and it isn't really like that. But playing live was the most important thing for me at the start because whenever I recorded something, it didn't sound right; I didn't like how my voice sounded. It was just raw.
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