A Quote by Katie Holmes
I think that I'm always open to any kind of project.
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It's kind of a rule of thumb for me to self-doubt going into any kind of project. I always think that I shouldn't be doing it and I don't know how to do it and I'm going to fail and that I fooled them. I always try to find a way out.
You know, I've always been very open to any project.
I always try to balance life by thinking failure of any kind, be it relationship or any project, should not affect me as an individual.
I guess confidence is the only thing that I take from project to project, but I'm always open to learning everybody's style - the director, the actor I'm working with.
If I find cool, open-minded people, want to do unique one-of-a-kind kind of project, I'll do it as long as I can.
I wanted to be open. On the last project, "Affection," I co-wrote everything. Sometimes, I think, it's smart to step away and be open.
Well it kind of is project to project because as a writer I think you always write to some degree about things that you know or things that happened - but my favourite filmmakers, my favourite movies of theirs tend to be the personal movies.
What excites me is to know I don't have any limits, that it's quite an open project, more open than I thought it could be. To have this freedom to try very different things. I listen to lots of music from every genre.
I would love to, on one project, play a villain. Any kind of villain. Any kind of antagonist. Somebody who's just rotten but fun, or the anti-hero.
I think any writer is a fool if he doesn't do it for money. There needs to be some kind of incentive in addition to the project. It all goes together. It's fun to sit there and think of characters and get them into action, then be paid for it.
I've been really lucky that I've kind of gotten to flow from project to project, because I find it's very important that when you're on a project, you are so invested in it.
When you're out there trying to still figure things out, it can just slow things down. So you have to kind of think on your feet, and it makes it kind of fun and exciting and challenging at the same time. But more time is always better for any movie. I think any director would probably tell you that. Any filmmaker, really.
In Stalinism the tragedy is that its origin is some kind of radical emancipatory project. In the origins you had a kind of workers' uprising; the true enigma is how this project of emancipation went so wrong.
A lot of actors overthink about the kind of roles they wanna do. I am open to kind of any kind of role.
If the DHS insists, as bureaucracies are apt to do, that open-source must be certified via a sanctioned, formal process, it will interfere with the informal process of open-source itself. It seems to me the DHS is trying to turn an open-source development project into a Microsoft (or IBM or Oracle) software development project. And we know what that means: more, not fewer, errors -- security and otherwise.
I'd always thought of myself as an open-minded person. I had no patience with anyone who put down other kids because of their race, religion, or sexuality. But that's just one kind of open-mindedness. There's another kind, too, the kind that's willing to see people for who they really are and admit when you were wrong about them. That's the part I still need to work on.
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