A Quote by Katie Holmes
I really hope that I get to work with Chris [Nolan] some day.
Related Quotes
I used to run with Chris Nolan before he was 'Chris Nolan.' I remember when he was trying to sell 'Memento,' and he just couldn't.
I really enjoyed working on the first one [Batman franchise] and I wish I could have worked with Chris Nolan again and I hope to work with him again.
I think that I'm a pretty great producer, but the vision behind Batman is Chris Nolan. I'm there to do my best to help execute that vision, and I think I do a really good job, but the vision is Chris Nolan.
I've been lucky enough to work with the amazing Golden Globe Award winning Chris Colfer and that is fantastic. I get to work with him on a day-to-day basis and he is such a generous talent. Chris and I like to play. He always throws me things and I ping them back to him and it's really fun. We definitely have a very lovely rapport personally - I think on screen too - and I hope you can see that in the characters.
I was a screenwriting major at Georgetown, and I was in class with some really strong writers like Jonathan Nolan, who co-wrote 'The Dark Knight' with Chris, his brother. He wrote 'The Prestige,' the story for 'Memento.'
I would have played street cop number three if it meant getting to work with Chris Nolan.
Just watching Chris Nolan direct was amazing. He is one of the most lovely people, which as you know doesn't always go hand-in-hand with great directors. But with Christopher Nolan, and there's only a few I think like him in Hollywood, that's absolutely true.
When a film like Chris Nolan's Memento cannot get picked up, to me independent film is over. It's dead.
Chris [ Nolan] and I have a strange way of working from the non-movie process, where after all these conversations and reading the script and more conversations, Chris went out and shot the films and the first thing he did, he wouldn't show it to me until I had written the music - not out of meanness, or anything, it just sort of seemed an interesting idea to see if there was some synchronicity and letting me use my imagination to the fullest instead of being constricted by cuts and images.
When Chris Nolan is your director you are like, "I trust that, I'm wrong."
Any time Chris Nolan wants to call me for advice, he can.
The atmosphere and the environment that you get on a Chris Nolan film that he and Emma [Tomson] create is one where you feel very safe and very confident and able to experiment with characters. It's a great place to be as an actor.
Big Texas (Nolan Ryan) is here. The reason I like to keep Nolan around is he is a reminder that when we got done with the Sammy Sosa trade, there was still some talent on the Rangers.
And I think that if something doesn't make sense, forcing yourself to understand it from [Chris Nolan's] perspective makes you better.
People like Chris Nolan are shooting isolated sequences in IMAX. Those cameras are the size of a Volkswagen.
I have done many movies that people hadn't seen. 'The Fountain,' I spent a year on that. 'The Prestige' with Chris Nolan, and 'Australia.' From my perspective it's very satisfying. Some movies people see and other movies they don't. 'Wolverine,' 'X Men,' I know that in some level people know me just for that and it's fine for me.
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