A Quote by Katie Holmes

How do you know you told a good punch line, a good joke? It's because they laugh. How do you know you've got a good scary punch line? It's because they jump out of the seat or scream. So the best reward is one you can listen to.
I don't really know what is shocking. When you tell the story of a man who is beheaded, you have to show how they cut off his head. If you don't, it's like telling a dirty joke and leaving out the punch line.
I'm not good at telling a joke, but I can say a line in a certain way that makes people uncomfortable because they don't know whether to laugh or not, and I love that comedy.
I realized that comedians of the day were operating on jokes and punch lines. The moment you say the punch line, the audience either laughs sincerely or they laugh automatically or they don't laugh. The thing that bothered me was that automatic laugh. I said, that's not real laughter.
How could I not love you? No one has ever affected me like you do. When you told me goodbye last month, I tried to let you go. I told myself it was the best thing for you because you wanted it. But you’re wrong, Dori. I’m good for you even if you don’t know it yet. I know because I’ve never been good for anyone before.
I've spent my fortune, tarnished my public view and made myself the brunt of punch line after punch line.
How does an artist know when the line that he just painted is good or not good? That's the catch. De Kooning was the greatest of my contemporaries in art, and he knew when he'd done a good line. When he didn't, he threw it away. I wish I'd thrown away some of mine.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
I always told everybody the perfect joke would be where the setup and punch line were identical.
It's all rot that they put in the war-news about the good humour of the troops, how they are arranging dances almost before they are out of the front-line. We don't act like that because we are in a good humour: we are in a good humour because otherwise we should go to pieces.
Boxing and chess are similar. It?s about the choice of means. Sometimes I need a pawn, a bishop or a knight to defeat my opponent. It?s about finding the best way. A good boxer has to be variable. He doesn?t just need to know how to punch. He must also know how to protect himself, how to defend, how to avoid the opponent?s punches. Only a complete fighter can become champion.
I've always felt that there's a lot of similarity between doing a comedy and doing a scary movie because jokes and scares are all about timing. If you give the punch line too early or too late, the joke falls flat. And it's the same with a scare.
As far as outlining is concerned, I don't outline humor. I might right down a word or two to remind myself of a punch line I thought of, but the actual structure of a piece I really don't. I don't think it would really help me because for me the process is joke, joke, joke, joke.
I've wrestled Kyle O'Reilly all over the world. I know how good he is, our fans know how good he is. A lot of people feel he is the next guy in line to be world champion.
Micro humor is a joke that's contained in the writing: it's a punch line, it's a turn of phrase, it's something that you can see on the page, and no matter who's saying it, it is, in and of itself, a funny line.
On stage you look much larger than you are. You can have subtle changes of timing; how you place a punch line in a joke or movement or emotion according to an audience.
When a kid can understand that a word can mean two things, there's some real thinking going on. They have a vested interest in finding out what a word means, because it's the punch line to a joke.
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