A Quote by Katie Hopkins
Why am I not just some old woman ranting in a room? I think because what I say connects with people's truths.
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Sometimes, people call my way of speaking ranting. Why are you always ranting and screaming, they ask. But here’s the thing…the reason why I rant is because I am a voice for many women that cannot speak out to heads of state, UN officials, and those that influence systems of oppression. And so I rant. And I will not stop ranting until my mission of equality of all girls is achieved.
I came on to Twitter in my 50s and I sort of think that was perfect. I am just a ranting old lady really and I like it.
I am not really thinking, I am just, working with the music. And people have asked me, why don't you say more, or why do you not have singers, or why don't you sing? I think it's because, if I would have words for what I am doing, I I could write. But I really don't. It's a whole different thing. And I think it's one of the beauty of instrumental music is that it can be background. It can be what people call "easy listening." But it's really one of those things where it's as much as you are willing to give it.
I think one of the main reasons I write is to do better than ranting. The ranting is the opinion, and the writing is not the opinion. I always say that people's opinions are the worst things about them. The words demand a dignity.
Just because 'Mulk' addresses some uncomfortable truths, trolls are having a field day. They say that the film has been funded by Dawood because that's the easiest way to malign it. But I am not affected by such nonsense.
My favorite thing about acting is you have to learn how to work with people that you probably would never try to. Some people just aren't supposed to be in a room together, and you have to be in a room with a group of people who might not all get along and you have to figure out how to come together for one thing. That collaboration is special, and people don't get to exercise that. I think that's why people become stubborn, and I think that's why people become uninspired to change. In this job you have to.
It's extraordinary to think that if you walked into a room and said you had never heard of Hamlet, you would be regarded as a Philistine. But you could walk into the same room and say, 'I don't know what a proton is,' and people would just laugh and say, 'Why should you know?'
I'm not just a female chef. I'm a woman in a brand new hotel, and that's why I think it's so perfect to be at the Cromwell, in a corner of one of the busiest intersections of the world, with my name in lights. It's different in all those sorts of ways, and I'm hoping I'll be able to carry that through. Because if I can't, it's a step back for women in general. People will say - men will say - "See, that's why it's mostly men".
Performance is made in the editing room, and I've come to see the truth in that - the idea that they say performances are usually made in the editing room because what you film is the raw material. I think just going through the process of saying, "Which take do we use? Why is that the take we want? I want that take can you edit again, I'm not sure that's the one, I think it's this one." And just because you go through that process, I think somehow it's made me sort of more open about the [actor's] possibilities.
Loving photography and wanting to be a painter, it all ended up in the process of filmmaking. It's strange professionally be to connected because it connects you to architecture, it connects you to painting, it connects you to writers, to actors. It connects you to really all of the arts.
Is it love that connects us, is that what it is? I never knew that the feeling I have is regular old love because it's so-intricate. Perhaps there is another name for it, one we don't yet know. I used to think that love was simple and noticeable, like rain falling, so that just as you'd look at your skin and say Water, you would also wake in the morning and say Love. But it has been underneath, this new and old thing I feel, subterranean, silent and steady, like blood, rushing along and along without often making itself known.
I think people are drawn to 'The Pioneer Woman,' not because I am some fascinating person but because I present things that a lot of people can relate to.
It's the idea that when you say 'actress', people think of an airy, floaty, no-brain person, which of course you can't be if you are an actor. It is an unfortunate word, which is why, for a time, I hung on to 'actor', because it just seemed more workmanlike, you know, like you say 'woman doctor' not 'doctoress'.
Some people don't listen to my music because they say that I am an artist. And some don't want to go to my gallery shows, because they say I am a musician.
Tomorrow, they will say, Donald Trump rants and raves at the press. I'm not ranting and raving. I'm just telling you. You know, you're dishonest people. But - but I'm not ranting and raving. I love this. I'm having a good time doing it. But, tomorrow, the headlines are going to be, Donald Trump rants and raves.
Some will read only old books, as if there were no valuable truths to be discovered in modern publications: others will only read new books, as if some valuable truths are not among the old. Some will not read a book because they know the author: others . . . would also read the man.
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