A Quote by Katie Kitamura
Fiction always reveals a lot about the person who is writing it. That's the scary thing. Not in a straightforward autobiographical sense. But the flaws in a piece of fiction are, unhappily, so often also the flaws of the writer.
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In a sense, journalism can be both helpful and detrimental to a writer of fiction because the kind of writing you need to do as a journalist is so different. It has to be clear, unambiguous, concise, and as a writer often you are trying to do things that are more ambiguous. I find that writing fiction is often an antidote to reading and writing too much journalism.
That is as true for fiction or non-fiction. The writer has to really know their subject. It is really important to remember that the readers are a lot smarter than the writer. Also, good writing has to do with rewriting. You will never get it right the first time. So you rewrite and rewrite again until you get it right. Until you, and the reader, will be able to visualize what you're writing about.
Whenever I wrote fiction, people always seemed to think that what I wrote was true, that it was entirely autobiographical. And when I would write non-fiction, they often accused me of exaggeration and fictionalization.
Fiction has always been a way of examining society and its flaws and trying to expose them.
I don't view my memory as accurate or static - and, in autobiographical fiction, my focus is still on creating an effect, not on documenting reality - so 'autobiographical,' to me, is closer in meaning to 'fiction' than 'autobiography.'
The trick is finding a person whose flaws don't drive you crazy...you know...someone whose flaws you can live with...someone who can stand your flaws, too.
A lot of girls think they have flaws that really aren't flaws. I've never met a girl who was just so secure about everything.
What the Chronics are - or most of us - are machines with flaws inside that can't be repaired, flaws born in, or flaws beat in over so many years of the guy running head-on into solid things that by the time the hospital found him he was bleeding rust in some vacant lot.
Even though I always claimed that I didn't want to write about something - once I wasn't writing fiction, anyway; I think for me the change from fiction to poetry was that in fiction I was writing about something, in poetry I was writing something.
I put my flaws on front street. So the world accepted my flaws, so I don't have any flaws.
In my mind, there's not a great difference between what people call fiction and non-fiction. So in that sense, I'm like an early-18th-century person. I actually believe there's one way of writing.
The act of choosing what to place in your piece when you're a historian or a non-fiction writer already renders it into fiction for someone else. In some ways fiction comes a lot closer to reality. When you start talking about something as brutal as slavery and life in the American West, it's really important to take a non- judgmental stance. We romanticize a great deal about life in the American West, but I thank God I wasn't living during that time. No matter what color you were, it was rough, crude, tough living.
My mother was not without her flaws. She did have a lot of flaws, but she revealed her strength and her flaws equally, and I think that's really important. I was very much influenced by that.
Contrary to all those times you've heard a writer confess at a reading that he writes fiction because he is a pathological liar, fiction writing is all about telling the truth.
It's a scary thing for fiction writers, when you're always writing from the point of view both as and for someone who is different.
The Booker thing was a catalyst for me in a bizarre way. It’s perceived as an accolade to be published as a ‘literary’ writer, but, actually, it’s pompous and it’s fake. Literary fiction is often nothing more than a genre in itself. I’d always read omnivorously and often thought much literary fiction is read by young men and women in their 20s, as substitutes for experience.
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