A Quote by Katie Ledecky

And if I'm ahead, I can sometimes tell. It might mean I'm having a good swim, but pretty much, I'm just focused on how fast I'm going, how fast I'm feeling, and pretty much block everything out, the sounds, the sights, just kind of listen to the rhythm of the water, and just maintaining the same stroke, the same rhythm, the same tempo, and thinking about how I want to get my hand to the wall.
Your voice sounds completely different in different languages. It alters your personality somehow. I don't think people get the same feeling from you. The rhythm changes. Because the rhythm of the language is different, it changes your inner rhythm and that changes how you process everything.
Pace is just how fast we can get the ball from one end to the other. It's not necessarily how fast we can shoot. It's just a tempo thing.
I found out was, by the rhythm of my chewing, how I chewed fast, slow or what have you, I could tell the audience what my character was thinking and feeling.
People always ask me how I can hit the ball so far, and I say, 'I just swing.' It's the coaches who first told me I had good bat speed. I was just swinging, and I guess it was fast. I'm pretty fast at everything.
If you just, pretty much, take a random 15-month-old, just sit and watch them for 10 minutes and count out how many experiments, how much thinking you see going on, and it will put the most brilliant scientist to shame.
Life has taught me that you can’t control someone’s loyalty. No matter how good you are to them, doesn’t mean they’ll treat you the same. No matter how much they mean to you, doesn’t mean they’ll value you the same. Sometimes the people you love the most, turn out to be the people you can trust the least.
You've got the same rhythm every day just to keep you going. So once that rhythm is broken, it's kind of hard to get back with it when you got a lot of things going on.
That's how I do this life sometimes by making the ordinary just like magic and just like a card trick and just like a mirror and just like disappearing. Every Indian learns how to be a magician and learns how to misdirect attention and the dark hand is always quicker than the white eye and no matter how close you get to my heart you will never find out my secrets and I'll never tell you and I'll never show you the same trick twice. I'm traveling heavy with illusions.
You could ask yourself, 'Hey, when you were 20, are you the same person?' You're not. You may have the same values, you might look a little older, you might have some things that are the same, but your heart, everything about you, starts growing, changing - good or bad. It just depends on how you approach life.
Whether I'm performing or directing, I'm aways thinking about rhythm; sometimes it's nailing the right rhythm, and sometimes it's intentionally breaking the rhythm. Those two things are what make something funny or not. How long a shot is and where you put the camera are all part of that rhythm of directing.
I don't think you can tell somebody how they should collect. I think it's just about being turned on by art.At the end of the day, some people just kind of get it. They don't all get it in the same way or get the same artists, but it's a journey that excites them.
You know that thing where you repeat a word over and over until it just sounds like utter gibberish? That's what doing a day of press on a film is like. Ten interviews in a row, all asking pretty much the same questions until you find yourself giving pretty much the same answers.
People tell me I'm a comedian, but I don't approach acting from that perspective. I do know that everything in life has to do with your timing and perception. You have to be comfortable with the rhythm that you're in. You can't just jump into a fast rhythm if yours is slow. You might have to pick up the pace but in your own particular way. It has to do with personality, too.
Basically, I'm going to take what you did, the bare-bones structure of what you were trying to do, how you were attacking the song, and attack it in pretty much the same way, just with more intensity to show you that you could've come harder. Like, I've been in situations where I've had to tell a cat how to rhyme his rhyme.
Sometimes I'm drawing onto a computer directly, sometimes I'm drawing on paper , so I can't really talk about drafts. It's just like having soft clay until it hardens. At least as much of the problem has to do with the decisions of what to represent, how to represent that, and how to reduce it down. The words in the balloons aren't particularly poetic necessarily, but it has the same problem as poetry, which is that one has to do great reduction. And if I tried to draw everything, you'd just have a tangled mess of a picture. The stripping down takes much longer than building up.
'My Friends Over You' has two guitars, but if you listen to us live, it's the same... I know how to hit a rhythm note and play lead at the same time.
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