A Quote by Katie Leung
I like Joaquin Phoenix. He's an amazing actor and he's so buff.
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In terms of actors and actresses, I think Joaquin Phoenix is probably my favorite film actor.
I am just another fireman because the story focuses on Joaquin Phoenix's character, but I play Joaquin's close friend and I get burned up a little bit, but I don't die.
'The Master' is a wonderful film, honestly, and the actors, Joaquin Phoenix and Phillip Seymour Hoffman, are incredible.
I look up to Leonardo DiCaprio and Matt Damon. I'm a huge fan of their work. I also like actors who really transform themselves, like Joaquin Phoenix. And I loved Robin Williams growing up. He does comedy and drama so brilliantly.
I loved 'The Master' a lot. I'm not going to get to work with Daniel Day-Lewis, but Joaquin Phoenix is one of the best around, I think.
I am personally am a fan of buff nails - not so much of clear polish, but a great buff nail is amazing.
I don't think anyone in the world could play my father, look just like him, act just like him, and make you believe he's Johnny Cash. Joaquin Phoenix gets as close as anybody I think ever could.
Your boyfriend is…well, way buff. Monster buff. Lord, king buff. (Sunshine)
The dream would be to work with my two favorite actors, Daniel Day Lewis and Cate Blanchett. Or playing Joaquin Phoenix's brother in a film. Basically anything where I get to act opposite actors like these; ones who bring a certain caliber to their work and literally morph into the character they are playing.
I'd love to talk to Joaquin Phoenix because he's a very private guy. Also, he's creating a new kind of sexy leading man. To me, his face is new and might be legendary someday.
There's definitely some parallels between me and Joaquin Phoenix, I think. The line gets so blurry. My rap career wasn't a hoax, but it was absolutely intended to be a joke. The problem was that I really was on a quest to somehow be a Caucasian Ol' Dirty Bastard.
What I love about the way they both [Paul Thomas Anderson and Joaquin Phoenix] work is that all of the monkey business is on film. There's no monkey business outside of the monkey business of making the movie. There's no ego bullshit, there's no wasted energy. It's all directed at the story and that's rare.
On 'Phoenix,' I talk about thoughts of suicide and my whole life. It's called 'Phoenix' because it's talking about dying - but when a phoenix dies, it's reborn from its own ashes. I related to that.
There is no best anything in art. Phillip [Hoffman] isn't better than Heath [Ledger]; Joaquin [Phoenix] isn't better than David [Strathairn] or Terence [Howard]. They aren't better than me. We all do different things. It's more of a celebration of a lot of great work than to give the gold to somebody. The underappreciated factor certainly has gone away.
I love Leonardo DiCaprio. He just makes really great films with great directors. He has great relationships with directors but also has a great social awareness. I think he balances his work with his responsibilities to his world, the environment, things like that very well. I'm very impressed by him and I admire him a lot. And other actors like Joaquin Phoenix, I just look at him and marvel at his unexpectedness, just his work really.
I think in Phoenix Phoenix is like the run and gun team. We used to do a drill where we'd try to score in the first seven seconds. We used to do that in practice.
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