A Quote by Katie Lowes

There's nothing better than renting a small, 50-seat theater in L.A. and just getting up there. — © Katie Lowes
There's nothing better than renting a small, 50-seat theater in L.A. and just getting up there.
I spent all of my twenties doing theater in a little 50-seat theater with my friends.
I saw Lee J. Cobb in 'Death of a Salesman' when I was about 15, and I couldn't get up from my seat in the theater; I was so... I was weeping, and I was upset. And I find that people are still like that in a similar circumstance in a theater today, where they just can't get up. It's too heartbreaking.
I just turned 50. 50's like the new 49 and nothing better, let me tell you.
'Killer Joe' was originally written in 1991 and first produced in '93 at the Next Theater's Lab - a 40 seat black box theater in Evanston, Illinois - back when I was getting started. I was just 25 and I had been acting for awhile, but it was my first play and the one that really got me noticed, especially by Steppenwolf.
Potential home buyers have a two-step decision process. First, they determine whether they can afford to make a purchase - does their income safely cover their mortgage payment? Then they determine whether owning is a better financial choice than renting - are the costs of owning a home lower than the cost of renting it?
If it's a 50-seat theater, I am neurotic about whether I'm doing an honest performance. Sometimes I walk away happy enough with it. You know, it can always be better, but sometimes I'll walk away distraught, feeling like I missed the pulse of the character that evening.
The Internet rewards scale; by trading higher up-front costs for lower marginal cost, market leaders can invest in better technology and service. As a result, there is nothing online that is both great in quality and small in scale. Amazon wasn't originally a better bookstore than the small shops we mourn, but it is now.
When we go on about the big things, the political situation, global warming, world poverty, it all looks really terrible, with nothing getting better, nothing to look forward to. But when I think small, closer in - you know, a girl I've just met, or this song we're going to do with Chas, or snowboarding next month, then it looks great. So this is going to be my motto - think small.
There's just something about getting up, putting it out there, and getting this exchange of energy. Whether your audience is a camera lens, or live theater, or whatever it is, just putting that out there and getting it back is just an honor.
My goal every year is to be bigger and better than I was the year before. The competition just keeps getting better, and the pressure just gets hotter. Nothing gets easier.
The fact that I wound up doing television and film was just a thing that happened, but I was trained for the theater, and what goes on in the theater has nothing to do with special effects.
There's nothing like the energy in a small comedy club room or a small theater when it's going really well. I can see everybody's face practically in the whole room. There's no cameras in the way, and it's just me.
Nothing is more exciting than getting a match. I don't care who you are! It's fun. And there is nothing better for curing boredom than Tinder.
Field of Dreams is the only movie - and I saw it in the theater - on an afternoon when I was on location somewhere, and there were like 12 people in the theater. I was just so devastated; I couldn't get out of my seat. And I sat and watched it a second time.
I work just as hard and have just as much fun whether in a 50-seat house or in a 1000-seat house. It's a luxury to be in a tiny space every once in a while and a rush to be on a giant stage every once in a while.
I'd rather do theater and British films than move to L.A. in hopes of getting small roles in American films.
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