A Quote by Katie McGrath
I can't watch most of my work. Once I come on screen, all I can think of is 'What am I doing with my hands?' or 'Why did I lean that way?' or 'What's that look on my face?' It's too difficult to not focus on evaluating my acting.
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My job when I'm acting in a movie is very limited to playing a role. I'm not evaluating somebody. I'm only evaluating them insofar as they're interacting with me, but I'm not evaluating their skill set and I don't watch the movies, so I'm not aware of the way they're putting things together.
I like how you can go back and watch David Lean and John Ford and see the influence that had on Steven Spielberg, especially David Lean, in the camerawork, and yet, you don't watch any Spielberg movie and think of David Lean. Once you're looking for it, you see it all, but it's not in your face.
I have a big TV screen and I sit there and watch the Premier League and I get angry sometimes - 'I'm better than that guy sitting there.' Of course, I am joking. But I analyse. I look at it technically, how they play, how they defend, how they attack, why did he change that player? That's the only way I can look at it after all these years.
When you're watching, I find two things happen. You either watch a film and it's really good and then you think, "Why can't I do that?" Or you watch a film and it's not good, and you think, "Why am I doing this?" So either way, it feels like being at work.
I've come to look upon death the same way I look upon root-canal work. Everyone else seems to get through it all right, so it couldn't be too difficult for me.
I think you only watch stuff you've done once because I don't think it's that beneficial to you. I think it's important to sometimes be like, 'What's that thing I'm doing with my face? I didn't think I was doing that.'
Why am I doing the work I'm doing? Why am I friends with this person? Am I living the best life I possibly can? Questions are often looked upon as questions of doubt but I don't see it that way at all. I question things to stay present, to make sure I'm doing what I'm supposed to be doing.
Historians evaluating George W. Bush's first term will focus on foreign policy and, most of all, 9/11. I think they will criticize him for his early reaction, for not returning at once to Washington, D.C.
I had the best teacher in the business. Kevin Costner was my teacher. I was acting opposite him and he was directing me. The way he directed me, for which I am eternally grateful, is he would watch the scene back on the monitor, which is sort of considered unfashionable - you're not meant to watch yourself. But he was like, "Come around. Watch this. See there, you're doing a great reaction, but you're doing it out of frame." That was exactly what I needed. I learned how to act on film from him.
Honestly, I don't look at it as work because I have way too much fun on set to actually classify it as work. I know a lot of people who are like, 'Man, acting's so much work.' And I'm like, 'No, it's not. I'm having fun.' And I want to keep doing that. I don't ever want to give up acting.
In voiceover, you have to restrain yourself when you're acting in the sound booth in front of the microphone. If you lean left or you lean right, you're going to lose the voice. Yet you yourself become animated when you're doing the part. So you'll see a lot of flailing arms, but a very still face.
Acting requires focus, too, but acting doesn't, you might say, demand focus. When you're in the ring you don't even have to think about focus because the danger is so imminent. Imminent. You train and you prepare and then the adrenaline kicks in and drives you into focusing intensely. You'd better focus, right? Or else you'll make your exit on a stretcher.
We spent a lot of time discussing cosmology first. I think that was your father's unique way of evaluating people. You can tell a lot about a person, he once said, by the way they look at the stars.
What I got, unconsciously, from admiring Fred Astaire was that he didn't want what he was doing to look difficult. What was difficult, in my opinion, was making it look so genuine, so effortless. I equally have tried to remain unseen on the screen.
I once had a patient who used to practice the most horrible tortures on himself, and when I asked him why he did such things, he said, 'Why before the world does them.' I asked him then, 'Why not wait and see what the world will do?' and he said, 'Don't you see? It always come at last, but this way at least I am master of my own destruction.
I was approached for acting roles when I was young. I had said that I look into the mirror every day and don't think my face suits for the big screen. So I will not do the films.
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