A Quote by Katie McGrath

Maybe people don't see me as believable playing a person of today. I guess I'm just more realistic in a corset and funny hairstyles. — © Katie McGrath
Maybe people don't see me as believable playing a person of today. I guess I'm just more realistic in a corset and funny hairstyles.
When I play a gay character, I want to be as believable as possible. And when I'm playing a straight character, I also want to be as believable as possible. So the less that people know about my personal life, the more believable I can be as a character.
I was a business major at the University of Richmond, and after I graduated, I took a job at a corporate ad agency. I had comedic dreams, but I also had a realistic look at what I had to do when I left school: maybe I'm funny, but maybe I'm one of a hundred thousand funny people, you know?
I started getting fan notes from people saying, "Oh, keep up the mess-ups," and I'm thinking, "I'm not doing it deliberately. This is just who I am." But people thought it was funny. I guess if you're watching and you see that I could do it, maybe it gives hope that anybody can do it.
There are plenty of people I've seen and thought that person is funny, or that person is really talented, and they've got something, but maybe the buying public doesn't see the same thing I see, or the stars don't align in the right way for them.
'Moonlight' changed me. To see people so moved by this movie inspires me to find something else to offer. And maybe the next one touches only five people or maybe just one person. To me, you know, that would still be worth it.
I guess what I like in my movies is where you see a character change by maybe two degrees as opposed to the traditional movie change of ninety degrees. I guess that always feels false to me in movies because that doesn't truly happen. Around me, at least in the life I live, I guess I don't see people change ninety or a hundred degrees. I see them change in very small increments. I think it's just a monitor I might have on myself as a writer to not make any false scenes.
One of my jobs as an actor, regardless of who I play - even if I'm playing a despicable character - is to make people think that that character could exist, that he's real, and the way to do that is to make him believable. He doesn't have to be likable or charming, but he just has to be believable. That is someone who I could see on a bus. That is someone who I could walk past in the street.
My friends who are not from Sweden tell me that I'm more reserved or maybe more ... I guess the opposite of what a Latin American would be. Maybe because Scandinavians are more careful with their words and I guess it takes a lot to become a friend of a Swede.
You have to do three things really well to make a successful film. You have to tell a compelling story that has a story that is unpredictable, that keeps people on the edge of their seat where they can't wait to see what happens next. You then populate that story with really memorable and appealing characters. And then, you put that story and those characters in a believable world, not realistic but believable for the story that you're telling.
I don't want to sound hoity-toity, but people told me I should watch 'Cheers' because it's very funny. So I watched it, and I just went, 'This is the great show of the universe?' To me, acting is making characters believable, not just doing jokes.
'Funny People' is my favorite performance of myself to date. Even though it's a comedy and there are serious moments, I really felt like Leo felt like a real person. It didn't feel like I was playing myself. Whether it's a comedy or drama, I just try to make it as realistic as possible.
Comedy is probably a lot harder for me. Maybe it's because I've been doing drama for so long or maybe it's because... you don't want to search for a laugh; you can't try to be funny, you just have to naturally be funny or be in a situation that's funny.
It's like people you see sometimes, and you can't imagine what it would be like to be that person, whether it's somebody in a wheelchair or somebody who can't talk. Only, I know that I'm that person to other people, maybe to every single person in that whole auditorium. To me, though, I'm just me. An ordinary kid.
People assume when they come into a church and see a person up there speaking, 'That person must be a good person.' My challenge through the years has been believing that: 'I guess I must be a really good person.' I struggle with it. It just helps me to keep that confessional posture.
I like doing what I do, but I like having the opportunity to do different things, and obviously comedy would be a fun jump. I've just been lucky enough to stay working. In my case, playing intense roles or playing character roles is something that people will hire me for, but yeah, I'd like somebody to think I'm funny. I guess we all do, right?
I think my movies aren't sentimental. I think my movies are funny and sad and realistic. Not realistic in the sense that they're documentaries, but realistic in the sense that they're not idealistic, they're not optimistic, not pessimistic, and not propagandistic. They're an analysis of a situation. I call it as I see it, so to speak.
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