A Quote by Katie Melua

But I do think I'm quite a selfish performer in the sense that I'm not one of those that's like 'Hey, come on everybody lets sing along' you know that kind of thing. — © Katie Melua
But I do think I'm quite a selfish performer in the sense that I'm not one of those that's like 'Hey, come on everybody lets sing along' you know that kind of thing.
I think my purpose was just to get out and sing. I love to sing. I wasn't even in it for the - you know, the prize. I was, like, 'Hey, man, I'm going to sing.'
I think my purpose was just to get out and sing. I love to sing. I wasn't even in it for the - you know, the prize. I was, like, 'Hey, man, I'm going to sing.
Like, your body has to get used to being in front of people. Like - and you have to be like - you have to be kind of a ham, you know? Like, the thing about writers is they're generally self - comedy writers - self-loathing, sort of play small. And as a, like, performer, you have to think like a comedy writer but act like a performer.
A lot of people seem to think I started this business. But rock 'n' roll was here a long time before I came along. Nobody can sing that kind of music like colored people. Let's face it: I can't sing like Fats Domino can. I know that.
My parents and my sister died... very close together, and after that, I lost quite a bit of my sense of humor. Most of it I think has kind of come back, but I know there was a time when I didn't think things were funny anymore. I kind of think they're funny again.
The Democrats are coming along, and Chuck Schumer and Nancy Pelosi have made it look like, "Hey, we're willing to work with Donald Trump. Hey, we'll help him get what he wants, but it's gotta be what we want." They struck a deal. Chuck and Nancy go out there tell the media, "Hey, we got rid of the wall! Trump's joining us on the DACA kids and we got rid of the wall." They report that; everybody believes it. Everybody believes the first thing that they hear.
We used to say I don't care if I never have any money As long as I have my sweet honey and a shack in the woodland Now we say I don't care if I don't have money, but it's not true We can't live without money, no, because we don't want to We want one of those and two of those, and oh that one looks neat, wrap it up Put it on my MasterCard. Put it on my Visa And I sing it now, hey hey, hey hey, who woulda thunk it Hey hey, hey hey, who woulda thunk it.
I think when you get older, things come along that you know are a test in some way of your ability to stay with it. And when e-mail came along, I was just going to fall in love with it. And I did. I can't believe it now - it's like one of those ex-husbands that you think, 'What was I thinking?'
Songs come when they wanna come and I'll work at it when I feel like working at it. There are some songwriters that write every day, and I'm definitely not one of those guys. I don't know if that's a good thing or a bad thing. It's just kind of what I do.
It definitely wasn't like, 'Hey, I'm going to steal that, and nobody's going to know.' The original 'T.R.O.Y.' came out in 1992, and it was like a 20th anniversary kind of thing. All of those intentions were there for it to be resurrecting a classic for a new generation. I tried to honor it.
To get even realer with you for a second, as a black actor, as a performer of color, I don't know how many more roles like Aaron Burr are gonna come along for me.
I was a late bloomer. I'm not one of those girls who's like, "I love my body! Hey, everybody, come look at my body!
The thing I get the most [in public] is, 'Hey, Eugene.' You know what I mean? There's no catch phrase like: 'What a week I'm having.' People will actually just say, 'Hey, Eugene' or 'Hi, Eugene.' It's a great thing; they feel that comfortable calling me by my first name. It's not being forward. It depends how you say it. I think they can't help themselves. They think they know me. I find it gratifying.
Then, you know, the other more-traditional role of the producer in, like, the kind of Quincy Jones sense is kind of part arranger. So you're coming up with, like, these - you hear these songs that are quite bare-bones, and you dream up what's the band doing? What's the rhythm section doing? What's the guitars, strings, pianos - that sort of thing. It's almost like a little toolbox.
I grew up with music in the house. I was told I could sing as soon as I started talking. Everybody in my family sang, always lots of records, blues and jazz and soul, R&B, you know, like Mahalia Jackson, Aretha Franklin, Coltrane, that kind of thing.
You've got to have a sense of different audiences. I'm a kind of performer manque - I come from a long line of failed actors!
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