A Quote by Katie Melua

The thing about doing gigs is you make music, and then it is gone and that is being watched by thousands of people. — © Katie Melua
The thing about doing gigs is you make music, and then it is gone and that is being watched by thousands of people.
The thing that sucks the most about it is that everybody steals music. You spend thousands and thousands of dollars to make a record and all of these scumbags are just stealing it.
In the United States, many people said you can't have folk music in the United States because you don't have any peasant class. But the funny thing was, there were literally thousands, tens of thousands, hundreds of thousands of people who loved old time fiddling, ballads, banjo tunes, blues played on the guitar, spirituals and gospel hymns. These songs and music didn't fit into any neat category of art music nor popular music nor jazz. So gradually they said well let's call it folk music.
I was always such a people-watcher. I would sit on street corners alone and watch people and make up stories about them in my head. Then, all of a sudden, I was the one being watched.
I can't stop myself from reaching for the bottle that's under my seat. I've gone all night without a sip, but it's not about being addicted. It's about being told what to do my whole life and doing it and then losing everything anyway.
The amazing thing about music is that however many thousands of records I've got now, I know that there are still thousands more that I haven't even begun to discover.
It was 2002, we all got guitars for Christmas and started playing in my garage that summer, rehearsed there and in a warehouse for a bit for about a year. We did our first gig in June 2003 and we played a few gigs in and around Sheffield for a bit then started doing gigs outside of Sheffield about this time last year, recording demos while all this was going on.
What I'm making music for now is more similar to what I was doing in the beginning. In those days it was all about doing music so when people heard it in a club it would take their minds of their worries. I got more artistic but now I've gone back to basics.
I felt that, as time went on, an audience gets to know you and in a weird way, you kind of feel like you get to know the audience a little bit. When I'm doing stand-up gigs now, I feel like I'm doing gigs in front of people I know. I think that's the result of doing late-night shows for so long.
I remain unashamed to publicly declare my lifelong love of watching football. I have watched thousands upon thousands of games simply because I cared solely about which team won.
To ensure that future generations have the opportunity to make a living from the creation of music, it is critical that we continue to build support behind this important initiative. Thousands of people have already voiced their opinion that it is time to vigorously defend the rights of music creators. Our goal now is to empower thousands more to carry this message forward.
When you're trying to bring the streets into rap to prove a point, then you already lost. You separate the two, and that ain't to be played with. You've got people that lost their lives and people that are doing real time. If we gon' make music, let's just make music.
As a kid, I hated home, and I just wanted so much to learn or do something that could take me away and keep me away forever. And then I got blessed to get to make music and meet people who wanted to work with me. And then, the next thing I knew, I was on the road, and I was gone.
What I like to do with music is make people feel better. Make people realize that all humans have the same problems, more or less. A lot of people deal with the same thing. A lot of times people think problems are specific to them and they if they hear a song about a problem common to them, they feel good because they know that someone else has gone through it.
It's all about going out there, performing live, making music. But, obviously, being a guy who has thousands of screaming female fans doesn't exactly make it less fun
I would go to sleep and dream about being onstage with thousands and thousands of people.
I just want to make a lot of good music that entertains people and makes people think, and maybe inspires other people to make music. That's it, man. I don't really know about a legacy. Honestly, I wouldn't mind making some money. I wouldn't mind being able to buy a house and have a comfortable life. I'm not trying to chase superstardom and millions and millions of dollars. I would like to have enough return on what I do to allow me to continue doing it more comfortably.
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