A Quote by Katie Nolan
I'd get home at 3:30 A.M. from the bar after my shift ended at 1. I'd write jokes, film it, and then sleep. So I did that for two years.
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I used to work in a hotel kitchen at night and do theatre in the morning. After finishing my night shift - I did it for two years - I used to come back and sleep for five hours and then do theatre from 2-7 P.M. and then again hotel work from 11-7 in the morning.
Once you're in a room like '30 Rock,' it's a creative setting, so you write more even after you go home, just because you're still in that mode of coming up with jokes. So the job wasn't sapping standup jokes, but it was sapping stand up time and energy, and I wouldn't be able to travel as much.
When I lived in Hungerford, it was wake up 5:30 A.M., get to the van at 6 A.M. with eight other blokes, drive to Shinfield, which is in Reading, 45 minutes away. Start at 7:30 A.M. to 4:30 P.M. with two half-hour breaks and then home. Train Tuesday and Thursday and then play on Saturday.
I hated the culture, I hated the work. I very quickly realized that this wasn't what I wanted to do. So, after two years, I took some writing courses - I always loved to write - and I figured the only way I was going to get paid to write was in journalism. I really wasn't very involved politically with anything up until that point. Then I started reading about the second Palestinian Intifada, and I spoke to friends in activist and journalism circles. Then, somehow by complete luck, I ended up at Democracy Now.
After film school, I would write 8 hours a day on film and 8 hours a night on TV, and then sleep once and a while.
I had many years where I just worked from film to film to film. And then all of a sudden I went: "Where did I put my bags down? Where's my little place I call home?"
When I was going through menopause, I didn't sleep. I didn't sleep for two years and ended up blowing out my thyroid, and I became nonfunctional. It's difficult to remain fully present if I'm not getting enough sleep, so I work at getting enough.
I'm a morning person because I learned to write my novels while still practicing law. I would get to the office at 6:30 a.m. and write until other people arrived, around 9. Now I still do that. I start at 6:30 or 7, and I'll write until 11, then take an hour off, then work until about 2 p.m. By then my brain has had enough.
After I finish any film, I move to the next one. It takes about a year to write and another six months are for pre-production and other things. You need a minimum of two-and-a-half months for the shooting of a new film. Then, I also edit my own film.
My father was only born something like 30 years after the Civil War ended, 35 or 40. He was born closer to that than the era in which he died. He was born in 1891, no television, no phones, barely any electricity. He wrote a book to all of us that was really just a compilation of the letters that he had written over the years to my grandmother when they were courting, in the horse and buggy era. Everybody said, "When did you have time to do this?" Relating their own lives to his. He said, "What do you mean, when did I have time? This is all we did." There was no TV, none of that.
Every time that I write a novel I am convinced for at least two years that it is the last one, because a novel is like a child. It takes two years after its birth. You have to take care of it. It starts walking, and then speaking.
I went to university for a year, and I'm not one for schooling and have no enjoyment sitting in a classroom all day and ended up going to live in England for two years, just to travel. I worked in a bar in a hotel for a couple of years and had no intention of becoming an actor. That's where I met my agent.
I get at least six hours each night, meaning I am generally in bed at 9pm. Then, to top up my sleep, I take a nap as soon as I get home from the studio each morning at 9.30am. Although my sleep is broken into two chunks, this makes up a seven-hour total that keeps me going.
Contrary to what so many think, life for the stars of Hollywood TV or movies is really quite tame. You get up at 4 A.M., arrive at the studio by and shooting starts at 8. Then you keep on working until 7:30 or 8 P.M. or even 11 at night. By the time you get back home, you're too exhausted for anything but sleep.
I can't get married. I can't fake sleep for 30 years.
After 'Chandni Bar' there was a shutdown of such bars in Mumbai. After 'Page 3' people started avoiding such events. 'Traffic Signal' exposed the money flow through the mafia. I'm not apologetic about the brutal truth in my films. Almost 70% of my films are based on reality, and 30% I fictionalize or change to suit my film.
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