A Quote by Katie White
We kind of write pop songs, but we don't fit in the pop world. We're really bad at being pop stars and walking down red carpets. We've got our own little bubble, which we really like. We've learned to really like that.
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I don't follow any of what the pop world is doing. Sometimes I feel like that's a weakness, actually, that I'm too in my own bubble. But I'm really just interested in the inner journey. And pop is all about the exterior world, the material.
In fact, on a side note, after the success of the first record, I got asked to write for some pop artists, as everybody does, and I did a couple songs for some of these massive stars and the review that I got back was, "This artist likes the song but it's too POP-y for them." I was like, "What do you mean, I thought I was writing for a pop star."
When (the Reds) won, we loved it because we ran into the locker room and touched all the bats and gloves and got some bubble gum and red pop. When they lost, we were upset because we didn't get the bubble gum and red pop.
I think people always have - not just journalists who help their careers, I think all people struggle with this idea that a female pop artist can write all her songs. Even I do it sometimes, you see a really good female pop artist and you're like, 'I wonder if she writes her songs.' That's never really my first initial reaction to a male popstar.
What we're doing pop culturally is like burning the rain forest. The biodiversity of pop culture is really, really in danger.
I just think that pop music is very interesting in how it can reach so many people. I like that I can tell stories and I just wanted to be heard more, I guess. That's why it's pop, but in my mind I don't really view my music as pop, I don't really view it as anything. I just look at it as a picture, I like visuals.
I think 'pop' can be a bit of a dirty word. People are very cool in Australia. They don't like to admit that they like pop. There are people who listen to Triple J and cool stuff like that, but commercial radio is massive, and if you look at the sales of the pop songs every week, people love pop music.
I've been writing pop songs for pop stars for a couple years and see what their lives are like, and that's just not something I want.
I like the fact that I have the power to convey a lot of emotion through my songs. I like to channel that when I'm singing. I think it's just a mix of R&B, soul, but then I kind of move more into the pop world and electronic pop and stuff like that.
To look for some kind of insight or meaning in pop songs is not really - well there's plenty of other places where you should probably look first before you start looking for it in a pop song. I guess it was just because I was really into music as a child, and I wanted it to say more. It was the thing, wasn't it? And now it isn't.
The fun of being in the pop world is you can really play with people's perceptions of what the word pop means.
I like to write pop songs and the stuff I write is fairly poppy, so I thought maybe my lot in life was to write pop songs for people. It never felt right writing songs for other people to sing, though.
I'm inspired by artists like Robyn, just because she writes amazing pop songs, and they're not throwaway. When I listen to a Robyn pop song, I don't feel like she's just kind of saying something and not thinking; I feel like it's really emotional.
I think pop music was going through a phase where it was like pop but dance-hall or pop but R&B. But, no, I just want a pop song.
When it's a pop song, I don't really want to do pop songs, but they exist and sort of come out by accident.
The English don't like concepts, really, not from a pop star. It's alright if they come from an 'intellectual,', but from a pop star you're getting ahead of yourself. Part of the class game is that you shouldn't rise above your station, and to start talking about concepts if you're in the pop world is getting a bit uppity, isn't it?
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