A Quote by Kato Kaelin

I'm doing comedy development at National Lampoon. — © Kato Kaelin
I'm doing comedy development at National Lampoon.
The Lampoon was definitely quite formative. You know there's a crazy like kind of network of comedy writers from The Lampoon that are, that kind of you know like Seinfeld and The Simpsons and a lot of shows kind of had a lot of kind of Lampoon writers and so that was very formative. I mean, to me I got interested in comedy writing at an early like reading like Dave Barry.
My point of view comes more from the literature I've read and the comedy of the era. When I was a kid, coming across National Lampoon Magazine, that was a big thing. I suddenly felt like there were other people that felt the way I did, and there was a way of expressing and communicating this worldview.
Before I went to a meeting at the 'Harvard Lampoon,' I had no idea that there was even a comedy magazine at Harvard, let alone that you could write comedy potentially for a living.
As a former writer for the 'National Lampoon,' I've probably contributed to the sea of sarcasm in which we live.
I feel like L.A. is more of a showcase, and Chicago is a pure comedy scene where you're doing comedy for comedy. You're doing comedy actually for the audience that's there.
From National Lampoon, you go directly to Saturday Night Live, because it's a lot of the same people.
National Lampoon lost its audience when it went from monthly magazine to bimonthly to quarterly to annual to just making movies.
I was managing editor for a while [in National Lampoon ], and it does cause business problems when your circulation goes up.
I loved the old stories in National Lampoon, like the original story the movie Vacation was based on. I used to laugh at them until I cried.
I was very involved in political satire, and I'd been writing parody for 'Mad' and 'National Lampoon,' so I made up some strange story about Gerald Ford.
I thought Twitter was a joke. I really thought it was a gag. I thought it was like National Lampoon or the Onion.
The development of the Internet has posed new challenges to national sovereignty, security and development interests.
Harold Ramis and I together did the ‘National Lampoon Show’ off Broadway, ‘Meatballs,’ ‘Stripes,’ ‘Caddyshack,’ ‘Ghostbusters’ and ‘Groundhog Day.’ He earned his keep on this planet. God bless him.
Comedy is the result of what's happening, not what people are doing. Because if people are doing comedy. It's embarrassing. The individual elements have to be straight-faced, serious, realistic with a firm basis. What makes it comedy is a somewhat shifted way to put it together.
I like doing comedy, I like doing drama. Naturally I like to do, I like doing dramas, I like conflict, and when I do a comedy, you know, I've found that, like, romantic comedy is the trickiest one, because often it's neither: it's not romantic and it's not funny. So, like, I like a comedy that's biting. It's biting humor or really quirky humor.
I had grown up as a feature writer, and basically my career had been in The National Lampoon and as a magazine editor, and I'd never been a reporter.
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