A Quote by Katori Hall

It is expensive to give plays subtitles, especially for a short run, so most new dramas rarely cross the transcontinental bridge. — © Katori Hall
It is expensive to give plays subtitles, especially for a short run, so most new dramas rarely cross the transcontinental bridge.
I have 16 plays, and we don't ever do subtitles. You can't do subtitles in the theater, so I was like, 'I'm not gonna do subtitles.' You'll never lose the story. There might be a little joke that you might miss, but you'll never miss the story, even in the Spanglish of it.
The wicked will run to the iron bridge, but it will collapse under their weight. The righteous will cross the paper bridge, and it will support them all. Paper is the only eternal bridge. Your purpose as a writer is to achieve one task, and one task only: to build a paper bridge to the world to come.
These endless legal challenges that define elections in New York are a joke in this country, and they are the reason why it is so expensive, or one of the reasons, it's so expensive to run here and why so many people decide not to run.
I think maybe short stories operate in some of the same ways that poems do. They frame single or small moments and elevate those. They give you insight into more minor dramas maybe, dramas between smaller groups of people.
The old cross slew men; the new cross entertains them. The old cross condemned; the new cross amuses. The old cross destroyed confidence in the flesh; the new cross encourages it.
In the rainy season, sometimes to get to the first lesson we had to run really quick, because we had to cross the river to school and we'd have to go up and down the bank to find a place to cross because there is no bridge.
Most of the plays in Marathi theatre are for the middle aged or are family dramas.
I think I'm interested in these kinds of character dramas, psychological dramas, domestic dramas, whatever you want to call them - comedy dramas.
I like subtitles. Sometimes I wish all movies had subtitles.
Permission from the government is an expensive commodity. New ideas rarely have this kind of support. Old ideas often have deep legislative connections to defend them against the new.
While democracy in the long run is the most stable form of government, in the short run, it is among the most fragile.
You know, dramas are much more expensive to do than say a comedy, so any kind of deficit like that is picked up on when it comes time for them to pick up new shows.
The ultimate freedom for creative groups is the freedom to experiment with new ideas. Some skeptics insist that innovation is expensive. In the long run, innovation is cheap. Mediocrity is expensive—and autonomy can be the antidote.” TOM KELLEY General Manager, IDEO
We're stuck in fear and in not wanting to cross that most important bridge of understanding that we're more alike or not. We all cry, we all laugh.
Golden bridge, silver bridge or diamond bridge; it doesn't matter! As long as the bridge takes you across the other side, it is a good bridge!
I work constantly but I work at a lot of different things. You know, I run a theater company in New York, I direct plays, act in plays, in movies, so I try to keep it eclectic.
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