A Quote by Katrina Kaif
I find a face beautiful, good looking, attractive, and all the terms you want to use, once I know them.
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Listen, I didn't ask for a face and body girls find attractive. But thanks to the mixture of my parents' DNA, I've got them, and I'm not ashamed to use 'em. Having a face Adonis would admire is one of the few advantages I've been given in life, and I use it to it's full potential whether it's for good or evil.
I don't go around thinking I'm attractive or not attractive. It has never occurred to me. People don't think like that where I come from... No one has ever said, 'Oh, he's a good-looking bloke.' They just didn't use those words about men.
I like creating these moments where there's this dichotomy between something that repels you but is still so attractive that you can't stop looking. You still want to acquire it; there's still that level of aspiration for the image of the figure or the person you're looking at. when you look at the work there's this, "Oh it's really beautifully rendered!" or, "I love those beautiful tones." There's some aspect that's really attractive but the image itself could be slightly distributing.
If you find someone attractive, you try to make them find you attractive. That is called seduction. And seduction is a bit ugly. You could say it's a bit ugly to use your charisma.
I think we are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not. Otherwise they turn up unannounced and surprise us, come hammering on the mind's door at 4 A.M. of a bad night and demand to know who deserted them, who betrayed them, who is going to make amends.
“Well," Isaid finally, knowing he was waiting, “you make me laugh.” He nodded. “And?” “You're pretty good-looking." ""Pretty good-looking? I called you beautiful." "You want to be beautiful?" I asked him. "Are you saying I'm not?"
We are well advised to keep on nodding terms with the people we used to be, whether we find them attractive company or not.
I think that is what the electorate is looking for - they are not looking for a pretty face to lead the country. They are looking for someone who can give them hope, who can promise them change and who can tell them this is your hands and you have the ownership of how you want to steer the country forward.
A good listener is very nearly as attractive as a good talker. You cannot have a beautiful mind if you do not know how to listen.
What you find with really good directors is that they kind of leave you alone. They've hired you because they know the kind of work you do and the sense of how you'd approach it. So usually, they'll just stand back and maybe give you a nudge once in a while in terms of something specific they might want in a particular scene.
She was--I keep using the past tense; I ought to say she is--one of those people who, at first sight, look plain, are quiet, unassertive, unmemorable even. But who, when they start to talk and you get to know them, become more and more attractive and impressive, and you see that in fact they are beautiful. Not conventionally beautiful, not celebrity beautiful, but beautiful all through.
I was quite reluctant in the first instance to come to use the word bisexual with regard to myself because I didn't feel any different inside from the way I had always felt. I always found men attractive. I still find men attractive. I figure out of, you know, every 200 men that pass on the street, I'm going to go, 100 of those are nice looking guys. Now, with every 200 women that pass on the street, maybe one is going to turn my head.
We find what we are looking for. If we are looking for life and love and openness and growth, we are likely to find them. If we are looking for witchcraft and evil, we'll likely find them, and we may get taken over by them.
It starts with the writing. We have to think of all these characters - we have to treat them all equally. We have to think of them as having an interior life and having motivations. When I'm drawing female characters, I'm looking for that. I'm looking for subtext. I'm looking for ways to make the reader relate to them in a way that goes beyond the pure aesthetic value. You know, just drawing an attractive woman really gets kind of boring after a while.
I want the kind of feminism that allows me to have a voice and to compete on equal terms with men yet still, potentially, to have one of them hurl me over their shoulder and carry me off somewhere, because I still find proper, old-fashioned masculinity deeply attractive.
Beautiful jewelry, a beautiful room - that's what museums are - a beautiful painting, a beautiful face, it makes you feel good to look at, and that's a beautiful thing.
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