A Quote by Katrina Kaif
At the end of the day, it is about working in a good film. It's the films that you leave behind that matter.
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As soon as I finished film school I was thinking about, how do I get to feature films? It took about eight years, and I'm still working. Feature films was not the end goal. Feature films was one of the stages. Getting to the point of the Coen brothers or Tarantino, where you're writing your own material and have the budget to do it properly, that's the end goal, and I'm close to that.
The good thing about a film, or at least the films I've been a part of, is, no matter what happens in the end, you do the premiere and everyone's excited. You don't remember the rough times.
I guess people feel that if you're working with good directors and are known in the Hindi film industry, then you won't work in South films. However, I believe that films have no boundaries of language, religion, or cast. If it's a good script and a good director, I can do a film in Spanish as well.
In the end of the day, you are human. Film is a job which is not an individual job; you have tons and tons of people behind you - you have a whole crew of people working. But, an actor is the face of a film, so you get all of the good things, but you get the bad things, also.
We can leave a place behind, or we can stay in that place and leave our selfishness (often expressed in feeling sorry for ourselves) behind. If we leave a place and take our selfishness with us, the cycle of problems starts all over again no matter where we go. But if we leave our selfishness behind, no matter where we are, things start to improve.
One day, I read an extremely vague ad looking for someone interested in working in film. Seeing as I loved watching films, I replied, and I found myself working for this guy who did his own personal editing of scenes from Antonioni and Fellini films.
Television is very different than working on film. With films, you get to develop a set of characters, and then, at the end of the film, you have to throw them away.
I just love films and any time you get to see a film with a good story, no matter how much money you have for visual effects, if the story isn't good it won't be a good film.
People talk about the difference between working on stage and working on film. I think you could say that there are as many differences between working on low budget films and working on big budget films. You really are doing the same thing, but at the same time you're doing something vastly different as well.
At the end of the day, we're all judged by those we leave behind.
Working on camera, your face is your career. But I'm not really one to buy into the pressures. At the end of the day, the job I do, it's more about the art and craft of it. If you're good at what you do, there's a place for you in the industry, no matter what you or your skin look like.
For me it doesn't matter if my song is promoted, or if it comes at the end credits of a film, it's my baby at the end of the day.
People talk about making art films - experimental films. I can make an art film every day of the week. Nothing to it. What's difficult is to combine a commercial film with art.
The Sixth Sense is not a good white film. Insomnia is not a good white film. They're just good films. So why we can't we have good films that happen to have black people, or Asian, or Latino, or any other minority group in them?
In an old model, the way a film would imprint itself on the public's consciousness is to get a theatrical run. But now there are more documentaries and more films in general being released than ever before. There are weeks when the New York Times is reviewing 15 films, so it's harder to leave an impression on the public. A lot of these films are seeing their financial future on digital platforms. Because viewers aren't hearing as much about films in theatrical release, I think the festival circuit is going to have increasing importance for the life of a film.
Today, they make films where you have to sit for an hour and a half and watch somebody in the process of dying and, for me, that's rather depressing. Films, in the good old days of the golden age of Hollywood, used to want to inspire people and give them uplift. You're paying good money to see a film, and you don't want to leave depressed!
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