A Quote by Katrina Law
'Mafiosa' was written by Veronica Russo. It's her first time making a film, and I'm really proud of her because this woman has a full-time job, and she decided one day, 'You know, I want to write a film, and I want to make it.'
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I would love to make Madhuri Dixit dance. If I do a film with her, it definitely has to be a 'Madhuri Dixit film'. I don't want to cast her in a small role. I will do a full- fledged dance film with her.
My sister is my little star, and I'm excited for her and proud of her. With her, I'm protective, but also I don't want to be that sister who's really pushy and thinks they know everything and making her feel like she doesn't know what she's doing. I'm trying to be that cool older sister and not the mom, but it's hard.
Yes, I saw Twilight - my granddaughter made me watch it, she said it was the greatest vampire film ever. After the 'film' was over I wanted to smack her across her head with my shoe, but I do not want a (tell-all) book called Grannie Dearest written on me when I die. So instead I gave her a DVD of Murnau's 1922 masterpiece Nosferatu and told her, 'Now that's a vampire film!' And that goes for all of you! Watch Nosferatu instead!
Nearly every morning, a certain woman in our community comes running out of her house with her face white and her overcoat flapping wildly. She cries out, "Emergency, emergency," and one of us runs to her and holds her until her fears are calmed. We know she is making it up; nothing is has really happened to her. But we understand, because there is hardly one of us who has no been moved at some time to do just what she has done, and every time, it has taken all our strength, and even the strength of our friends and families, too, to keep us quiet.
I decided that if I want to write about a female hero in the 1920s, I'm going to have to give her all the advantages I can because she has serious disadvantages in being a woman. I wasn't going to have her cowed or overawed by class, so she had to be titled.
I'll never forget watching 'I'm Not There' with Cate Blanchett, because it was the first time she saw the finished film and saw her performance in it. I was sitting next to her experiencing it vicariously through her fresh eyes and hoping she liked it.
Over time it just got more and more intense as far as the trust factor. For example, when we started editing the film [Dream of Life], I thought, man, I need to make sense of all the footage I have; I need to ground the film. And one day I was hanging out in Patti's [Smith] bedroom, which is where Patti works, and in the corner of her bedroom is this great chair, and that's when she began showing her personal things to me. The camera was there, and we realized that we were really making the movie and making sense of the footage in the movie.
When a woman comes to her class, she does not employ her time in making herself look more advantageously what she really is, but endeavours to be as much another creature as she possibly can. Whether this happens because they stay so long and attend their work so diligently that they forget the faces and persons, which they first sat down with, or whatever it is, they seldom rise from the toilet the same woman they appeared when they began to dress
As one woman told me, "When I decided to come in to work happy, everybody around me became happy." This woman had decided to quit a job she hated, and on the last day of her two weeks' notice, she woke up happy. At the end of the day, she noticed that everybody around her was happy, too- so she didn't quit after all. She decided to come to work happy instead. Two years later, she's still on the job, radiating happiness and love.
She had time to make room for him in her closet. The cat had time to get used to him. They had all the time they needed, because he'd told her he was hers, and he was a man of his word. "I've got all I need," she told him. He leaned down and kissed her again, then stroked a finger over her temple, tucking a loose strand of hair behind her ear. "I want you to know," he said. "That you're the best choice I ever made." "No regrets?" "No regrets.
I'm all about making my girl feel like she's the only woman in the world. Whether it's telling her how special she is or showing her with gifts and romantic dates, I want to make her happy.
Do you know what happens when an Arabian woman dances? She does not dance: she protests, she loves, she cries, she makes love, she dreams, she goes away from her reality, to her own world, where love is really meant and she does not want to come back, because that is her reality.
I got into one of the schools I applied to because of the essay I wrote about Holly Hunter's character in 'Broadcast News.' She's the only female producer on this news network, and she's really good at her job, but she allots time in her day to just sit at her desk and cry. And then she's just back to work. I find that really effective.
A woman recently told me a story about her descent into chronic fatigue. She was sleeping sixteen, eighteen hours a day, and feeling more tired when she woke up than when she went to bed. She really wanted to go to a workshop and she went anyway. And when she was there, she felt much less tired. So she decided, "Maybe if I continue to follow what I really want to do at all times, I will feel less tired." This was her spiritual practice - - to only do the things that she wanted to, and to not make choices based on anything else. That is an embracing of pleasure, of joy, of good feelings.
Music is a proud, temperamental mistress. Give her the time and attention she deserves, and she is yours. Slight her and there will come a day when you call and she will not answer. So I began sleeping less to give her the time she needed.
You see in Once Upon a Time in the West the whole film moves around her [Claudia Cardinale]. If you take her out, there's no more film. She's the central motor of the entire happening.
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