A Quote by Katy B

I don't think I represent all things dubstep. I just like clubbing, so those are the sounds I've chosen to work with. — © Katy B
I don't think I represent all things dubstep. I just like clubbing, so those are the sounds I've chosen to work with.
I have a twitter, but I try to not talk about things like, "Oh, I had a grapefruit this morning and it was delicious," because, who cares? But, I think it can serve as a platform for talking about things that matter to me, like the organizations that I work with. As pretentious as that sounds, it is true. You can really make a difference, if you can create a following and actually represent who you are, as opposed to how people want to portray you. But, I don't know what the balance is.
It was Skrillex who got me into dubstep. He made it melodic - not just a bunch of crazy sounds.
To me, 'Alors On Danse' is the definition of clubbing. Because everyone is just trying to forget their problems, but actually, it's so sad, clubbing. We try to sell happiness in clubs, but you can't.
Dubstep has been big in the UK for years. I'm fine with hearing a dubstep drop in any song.
I'm not totally blind to the fact that I like people to see my work, but if it's not something I would enjoy seeing in a magazine, then I think I shouldn't be making it. I think that I don't represent only myself, I represent more people; I mean, if I like it, then I think more people will like it because I think I'm quite a normal guy.
When I first started directing, I could have chosen a more lucrative path, with sitcoms and things like that. But I knew enough after the experiences I had in front of the camera that I was not going to do that, because I was just going to work on my own things or work with people I respected.
When dubstep was big, Ubisoft told the composer for 'Far Cry 3' to make dubstep and to me that was really weird.
There are mothers who sew for six months to make a fashion collection - someone's grandmother, someone's sister. We come in and get paid to walk for 10 minutes at the end. Whenever I think about that, I realise it's not about me. I was just the one chosen to represent those women and sell the clothes.
People don't like what I represent, and they think I'm trying to represent the whole gay community just because I'm a gay person and I make music. By default I'm supposed to represent a whole community? I think that's ridiculous.
Most bands play one style of song. If you listen to Metallica it all sounds exactly like Metallica, and if you listen to Black Sabbath it all sounds like Black Sabbath. I like AC/DC a lot but you can pick those sounds out on the radio in a heartbeat because they all have certain things in common.
We represent a hustler. I think we represent inspiration. I think we represent, you know, staying down. I think we represent building yourself up from the bootstraps.
I just spend my life studying the manufacture of sound and picture and my education, if you like, has come from what I've chosen to make sounds and pictures on.
In the Eighties, London was unbeatable for nightlife and for clubbing it would have been Ibiza. But my clubbing days are behind me.
I'm really into, like, electric pop music and dubstep, things like that.
I think a lot of electronic musicians are drawn to starting with texture because the whole reason we're working with electronics is to try to create new sounds or sounds that cannot be created acoustically. When you're doing that, it's nice to be able to just create a different palette for every single song. I feel like a lot of electronic music sounds like...Each album sounds like a compilation more than it does a band.
I do feel that I have to use my voice for those that don't have one. I have to do the best I can in my own work to represent my culture, represent the women of my country, of Latin America. What we stand for. What we're made of.
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