A Quote by Katy Butler
We offer such false hopes to people that every medical problem can be fixed even when you're starting to deal with an 80- or a 90-year-old body that is breaking down in multiple ways and doesn't have that resilience. And so it doesn't surprise me that someone who is completely unprepared for death may say, "Doc, do everything."
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The problem with success is that you lose the capacity to fail and the capacity to surprise people. So, if I'm able to surprise myself every day, I can surprise you as well. If I enjoy someone's work and they offer me their project, I do it. So what's the point of the supposed creativity? If Mona Lisa could be made by anyone, then it wouldn't have been the most beautiful painting in the world. The knowledge that you can fail can make you come first.
Generally, the ways we discuss the fat body pathologize it; we treat it as a medical problem and/or a social problem that must be solved. "Morbid obesity" is in many ways saying we are the walking dead. Or walking to our death. And that is no way to live, with that sort of moniker hanging over your head at all times. I think it forces fat people to internalize a lot of unnecessary self-loathing.
We can only touch spontaneity when we let go of dogma, old beliefs, old certitude's, because these things are what prevents the body to move freely then the body finds space to express completely. For the tantric's it is not to find belief's or to compare beliefs but to destroy beliefs To expand completely To be apart of the wave, everything is a wave, starting at the cellular level to the cosmic level To breath completely, to unfold in all directions
In the 1930s, the government paid writers to interview 80- and 90-year-old former slaves, and I read those accounts. I came away realizing - not surprisingly - that many slave masters were sadists who spent a lot of time thinking up creative ways of hurting people.
I want to sit with 80- and 90-year-old people more than anyone. They have played this game before. Not one of them has told me, 'I wish I had more money.'
Just because someone looks old doesn't mean he or she is. The skin of some people who spend a lot of time outdoors seems to age very rapidly. Someone can look 80 or 90 and only be 40 to 50.
I have taken care of everything in the course of my life, only not for death, and now I have to die completely unprepared.
If the juices of the body were more chymically examined, especially by a naturalist, that knows the ways of making fixed bodies volatile, and volatile fixed, and knows the power of the open air in promoting the former of those operations; it is not improbable, that both many things relating to the nature of the humours, and to the ways of sweetening, actuating, and otherwise altering them, may be detected, and the importance of such discoveries may be discerned.
I mean, that's another big surprise of the show, is that I see sixteen year old people who recognize me and they're honest, for-real fans of the show. And it goes down to nine months. I mean, I've heard of nine month to year-old children who are watching the show.
I'm someone who loses 80 to 90 percent of the time. Even when I lost, I put my body on the line and I told the best story. If I stood out, if my attitude towards fighting was different, I found a way to stay around and keep revamping myself and my character.
We did decide that every addict in this film, Warning: This Drug May Kill You, would be someone who started out with a prescription for an opioid from a doctor. The story that hadn't been told is that the vast majority - somewhere around 80 percent - of current heroin users began with an addiction to prescription opioids. So as much as people might want to look at this and say, 'Oh this is really a heroin problem,' yes, it is a heroin problem, and no one is saying differently, but it starts more often than not with a prescription.
Using any reasonable definition of a scientist, we can say that 80 to 90 percent of all the scientists that have ever lived are alive now. Alternatively, any young scientist, starting now and looking back at the end of his career upon a normal life span, will find that 80 to 90 percent of all scientific work achieved by the end of the period will have taken place before his very eyes, and that only 10 to 20 percent will antedate his experience.
How many more times do we have to come to terms with death before we find safety?" he asked. He waited a few minutes, but the three of us didn't say anything. He continued: "Every time people come at us with the intention of killing us, I close my eyes and wait for death. Even though I am still alive, I feel like each time I accept death, part of me dies. Very soon I will completely die and all that will be left is my empty body walking with you. It will be quieter than I am.
Everything is starting to make a little more sense to me now. I love the idea that, first of all when I made the record I don't look at the music by classifying it. People have a problem classifying me as pop, or rock, or folk, or alt. The beauty for me is that a thirteen year old girl can fall in love with the record and so can her mom. I tend to gravitate towards artists that are timeless and don't sound dated.
When someone tells me that they insist on having drinks with me, and there are some cultures where sealing the deal or celebrating or having a guest in the home, it is very traditional to slam down a couple shots or whatever the local grog is. I just tell them I'm allergic, which is not a lie, you know alcoholism and drug addiction in many ways are described as an allergy of the body and the mind. So I just tell them I'm allergic and they're like, "Oh, no problem."
Everything you do, every thought you have, every word you say creates a memory that you will hold in your body. It's imprinted on you and affects you in subtle ways - ways you are not always aware of. With that in mind, be very conscious and selective.
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