A Quote by Katy Evans

You think you need me, little firecracker?” The gruff question travels all the way through me, and I have to press my thighs together to stop the tremor in me. “Baby, the way you need me can only barely cover half of the way I need you.” The unexpected sadness in his voice yanks my gaze back to his.
He raked his fingers through his hair. "She doesn't need me." Ralston smirked. "You are laboring under that mistaken impression that it is their job to need us. In my experience it is almost always the other way around.
God has always been in my life and his little voice in me that lets me know when I'm falling a little too far left or right, up or down you know. I know because there is a little voice that starts saying, 'damn it, what are you doing? You need to slow down with that' or I might not be a good person to hang around you know... So God will do this to me in some sort of way. Or something bad will happen to me.
Hold onto me baby. I'm going to take care of you." The raspy need in his voice only made me more desperate.
When we pray for God to illumine our path, we are saying, ‘Dear God, please show me the way. What thoughts do I need to think, to be able to navigate my life at this point? What perceptions do I need; what insights will guide me? Who do I need to forgive? What parts of my personality do I need to look at; what changes do I need to make? Please come upon me and heal my life. Amen.
What always attracted me to [Bob] Dylan, and what has sustained me as a Dylan listener, or has always continued to surprise me, is his voice, the way he sings, the way he wraps his voice around certain words, the way he backs off from melodic moments, the way he moves forward to grab something in a song that, were anybody else performing it, they would have no idea it was even there.
Some of the memories were not clear - -dim human memories, seen through weak eyes and heard through weak ears: the first time I'd seen his face... the way it felt when he'd held me in the meadow... the sound of his voice through the darkness of my faltering consciousness when he'd save me from James... his face as he waited under a canopy of flowers to marry me... every precious moment on the island... his cold hands touching our baby through my skin.
Only what?” I asked. I could barely hear my own voice. He turned his gaze back to me, firm and unflinching. “Only… more human.” And that was it. All the anger and sorrow vanished. There was nothing in me. Nothing at all. I was empty. “Get out,” I said.
That's how they say it: He loves you in his own way. Well, what about my way? What if I need for him to love me in my way?
His gaze held hers, and his voice was tender and rough. “Love me, Elizabeth.” Elizabeth felt a tremor run through her entire body, but she looked at him without flinching. “I do.
No, Nathan, no." She wrapped his face in her hands. "I just need you--all of you--so much that I'm going crazy. I need your laugh. I need your company. I need you to sleep beside me and I need you to wake when I wake. I need you with everything in me.
I wrote poetry in a secretive way, I think, a secret from myself, I mean. I wrote it because it gave me great pleasure to do so and because it relieved the ever-building pressure of the demanding world around me. It's always served me as a way of appraising, and controlling overwhelming experiences. But this need, and desire, was always in conflict with my need to "survive."
A man must not stop listening any more than praying when he rises from his knees. No one questions the need of times of formal address to God, but few admit in any practical way the need of quiet waiting upon God, gazing into His face, feeling for His hand, listening for His voice.
His head is busy moving between my parted thighs. He makes low purr-like sounds between my legs and is so surprisingly ravenous I can feel his teeth. His nails bit into my thighs as he devours me like he's the one deriving pleasure from the act, and I'm so turned on by the way he laps me up, that I come.
His dark hair is perfectly recklessly up today, those tanned muscles flexing as he extends out his arms and does his little turn. And here I am, my breath caught between my lungs and my lips as he turns around and scans the crowd. As soon as he spots me, his eyes come alive, as alive as I feel when he smiles at me. He holds my gaze while those dimples flash, and I swear he stares at me in a way that makes me feel that I am the only woman here.
The way you walk, that's me The way you talk, that's me The way you got your hair up, did you forget that's me? & the voice in the speaker right now, that's me, that's me & the voice in your ear, that's me
I love myself the way I am, but people will always message me about other people with vitiligo who cover their skin. 'Winnie Harlow, you need to tell them that they need to love themselves the way they are and stop covering their skin!' No! If that's what makes them comfortable and what makes them happy, let them be.
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