A Quote by Katy Grannan
There's always been something illicit about the way I work. I'm photographing people I don't know, when nobody else is home - there's a necessary degree of secrecy.
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My way in for photographing people is really their work. I'm always interested in what people make, and then I photograph the person. Sometimes the person is a disappointment. But that's the risk. It informs me a lot about the character of a person if I know their work first.
Love yourself. Nobody's perfect. I mean, come on, nobody is perfect. Not you, not your mom, even the people on TV - nobody is perfect, and there's always something that nobody likes, but you know, you just accept that. Your imperfections make you beautiful. It's those things you find you don't like that someone else finds very special and very unique about you.
I'm convinced that a lot of people simply don't know what's available out there and how it is possible to find a job and work your way up if you are willing to accept responsibility for your life. I know what it's like to be on the bottom. I've been broke. I've been fired seven times from jobs. And I don't even have a college degree. But I didn't blame anyone else for my problems. I knew that if I didn't try to solve them on my own or with the help of friends or family members, no one else was going to take care of me.
Photography is very presumptuous. Photographers are always photographing other people's lives - something they know nothing about - and drawing great inferences into it.
... the danger of illicit sex influences is, and always has been, in inverse proportion to the degree to which women approximatedto equality with men, in social dignity and in opportunity for public responsibility.
I always felt that when I was photographing, I had a psychic need to see this, to photograph this. And I think if somebody else had been doing this work, and if I could have seen these pictures anywhere at all, then there would have been no need to make them.
I always find music guys writing about love. Think of something else for a change. I'm sorry, but it's been done, and it does work and it's good and all that, but I think something else would be nice.
If you're any good as an artist, you have to be doing something nobody else has interest in. Nobody would be interested in my work except a few crazy people.
Young people have been ill-educated, mis-educated, propagandized. I see it in everything I read written by young people. You can spot it a mile away, their ignorance. And it's coupled with they think they're the only people that know. They're arrogant. They're a little bit smarmy about what they think they know and nobody else does, which is a characteristic of young people anyway. I was that way when I was young.
I do hope to be an adult actor. But if it doesn't work out, I've been thinking about doing something in the medical therapy field, chiropractics or something like that. I've always been into the idea of helping people medically, but I can't stand blood or surgery. That freaks me out. So this would be a bloodless way to help people.
When you're working on a film, it's almost like photographing paintings at a museum. You're photographing somebody else's world. I just try and interpret it and make it real, and make it what the actors are about, what the director is about, and what the film is about.
I'll tell you something of the forbidden horrors she led me into - something of the age-old horrors that even now are festering in out-of-the-way corners with a few monstrous priests to keep them alive. Some people know things about the universe that nobody ought to know, and can do things that nobody ought to be able to do.
I'm always like that about everything. When I try to do something, I always think, "What is the best way to do this?" Instead of taking what everyone else says and how it has been forever, it's faster for me to try myself. Of course I listen to what everybody says, and at first I'll try what people say, but I always come back to trying it my way.
A lot of people think, 'I'll give acting or poetry or filmmaking a try. And if it doesn't work out I'll go get a law degree, do something else that's more practical.' For me I went the reverse way. I lived the back-up plan.
When I was able to get home it first hit me that you had left and I couldn't do anything about it. Every day before that an evening with you was waiting for me after school, now no more, strange feeling. I had grown too accustomed to your warmth. That is also a danger. At home I looked at the notebooks that you had bought and I got the stupidest surge of hope that I'd find something of you, something especially for meant for me. I would so much like to have something of you that I could always keep by me, that nobody else would notice.
People aren’t photographing for history any more. It’s for immediate gratification. If you’re photographing to share an image, you’re not photographing to keep it.
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