A Quote by Katy Lederer
I do think most poets are in denial about what the real taboos in writing are--the real boundaries.
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Music is the only place that I can have no taboos. In real life I have a lot of taboos, and I can't talk about everything easily.
In the world of poetry there are would-be poets, workshop poets, promising poets, lovesick poets, university poets, and a few real poets.
All I can guess is that when I write, I forget that it's not real. I'm living the story, and I think people can read that sincerity about the characters. They are real to me while I'm writing them, and I think that makes them real to the readers as well.
I'm writing about real things. Real people. Real characters. You have to believe what I write about is true or you wouldn't pay any attention at all.
'You hate America, don't you?'
'That would be as silly as loving it,' I said. 'It's impossible for me to get emotional about it, because real estate doesn't interest me. It's no doubt a great flaw in my personality, but I can't think in terms of boundaries. Those imaginary lines are as unreal to me as elves and pixies. I can't believe that they mark the end or the beginning of anything of real concern to a human soul. Virtues and vices, pleasures and pains cross boundaries at will.'
We Christians forget (if we ever learned) that attempts to redress real or imagined injustice by violent means are merely another exercise in denial - denial of God and her nonviolence towards us, denial of love of neighbor, denial of laws essential to our being.
I would like to be known for honest, relatable writing and stories that that are real. There's just this shift I think is happening in a lot of society right now where being your most real self, however embarrassing or vulnerable or weird that is, is the coolest. I feel like that's what Lena Dunham's about and Amy Schumer's about.
Kenny G is not real jazz. I don't even think Wynton Marsalis is real jazz. I don't think Harry Connick Jr. is real jazz. If there is such a thing as real jazz, The Lounge Lizards is real jazz, Henry Threadgill is real jazz, Bill Frisell is real jazz, you know?
There are millions of people who think that romance isn't real writing. But the only person who can make you real, make your books real, is you.
It's a huge responsibility writing about people who are alive. It's the thing about writing that keeps me awake at night: dramatising real-life events with real people.
Lent is a fitting time for self-denial; we would do well to ask ourselves what we can give up in order to help and enrich others by our own poverty. Let us not forget that real poverty hurts: no self-denial is real without this dimension of penance. I distrust a charity that costs nothing and does not hurt.
I hate thinking about it, teaching about it, and writing about it. But the plain truth is that hell is real and real people go there for eternity.
Nearly all men and women are poetical, to some extent, but very few can be called poets. There are great poets, small poets, and men and women who make verses. But all are not poets, nor even good versifiers. Poetasters are plentiful, but real poets are rare. Education can not make a poet, though it may polish and develop one.
So let me tell you what I think about gods. I think a real god is not going to be so scared or angry that he tries to keep other people down…A real god doesn’t care about control. A real god already has control of everything that needs controlling. Real gods would want to teach you how to be just like them.
I guess the most amazing thing about crying though is that when you're in it, you think it'll go on forever but it never really lasts half what you think. Not in terms of real time. In terms of real emotions, it's worse than you think, but not by the clock.
I'm interested in taboos for certain reasons. They can dramatise things and they're scary, and they're important to think about. I'm also wary about the fact that if you don't proceed with caution and understand what you're doing, you understand these things are realities that you're dealing with, they're real things.
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