A Quote by Katy Perry

Comparisons are easily done, once you've had a taste of perfection — © Katy Perry
Comparisons are easily done, once you've had a taste of perfection
taste governs every free - as opposed to rote - human response. Nothing is more decisive. There is taste in people, visual taste, taste in emotion - and there is taste in acts, taste in morality. Intelligence, as well, is really a kind of taste: taste in ideas.
I've done a few remakes now, as you know. And my philosophy is, you see the original film once, and that's it. You have to do whatever you can to shut it out, because you don't want your performance to be tainted. You don't want to fall into the trap of comparisons, basically.
In art them is a point of perfection, as of goodness or maturity in nature; he who is able to perceive it, and who loves it, has perfect taste; he who does not feel it, or loves on this side or that, has an imperfect taste.
You should be careful, tossing descriptors like that around in a situation like this. My ‘problem’ isn’t little. Unless you’re drawing some pretty wild comparisons. Please tell me you’re not drawing wild comparisons. Or blood-relative comparisons.
I had a bartender friend once tell me about a $14.00 shot of vodka, this was years ago it's probably more now. I thought that was crazy. From what I understand, vodka has no taste. I think people like the taste of their money.
One can't understand everything at once, we can't begin with perfection all at once! In order to reach perfection one must begin by being ignorant of a great deal. And if we understand things too quickly, perhaps we shan't understand them thoroughly.
Perfection. Excellence. What a passionate lover. But once having tasted the lips of excellence, once having given oneself to its perfection, how dreary and burdensome and filled with anomie are the remainder of one's waking hours trapped in the shackled lock-step of the merely ordinary, the barely acceptable, the just okay and not a stroke better.
Just as We never taste happiness in perfection, our most fortunate successes are mixed with sadness. So too we never taste sadness completely, as things could always be worse in some way and for this we can be grateful.
People compare me to Kendrick. I've seen comparisons with Jay-Z, with Nas, with Chance The Rapper. I get a lot of Eminem comparisons.
If your choice enters into it, then taste is involved - bad taste, good taste, uninteresting taste. Taste is the enemy of art, A-R-T.
I condition myself to believe that once the scene is done, once the movie is done, my job is done, and whatever happens after that is none of my business.
Mystery's a thing not easily captured, and once deceased, not easily exhumed.
Truly, from a very early age, I started distancing myself from other kids, not out of willingness, but just out of the nature of my energy. I liked to do things solely, and I already had a taste of the quest for perfection, which is unusual in a little kid.
Honesty was a tough customer... Once you started allowing yourself some honesty, it couldn't easily be contained or limited to one part of your life. It was like poison ivy or a bossy houseguest. Once it was there, you couldn't tell it what to do. You had to really fight to keep it from taking over.
A good taste in art feels the presence or the absence of merit; a just taste discriminates the degree--the poco piu and the poco meno. A good taste rejects faults; a just taste selects excellences. A good taste is often unconscious; a just taste is always conscious. A good taste may be lowered or spoilt; a just taste can only go on refining more and more.
But where only a free play of our presentational powers is to be sustained, as in the case of pleasure gardens, room decoration, all sorts of useful utensils, and so on, any regularity that has an air of constraint is [to be] avoided as much as possible. That is why the English taste in gardens, or the baroque taste in furniture, carries the imagination's freedom very far, even to the verge of the grotesque, because it is precisely this divorce from any constraint of a rule that the case is posited where taste can show its greatest perfection in designs made by the imagination.
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