A Quote by Katy Perry
I did my gospel record, but there was nothing really of it. Maybe a hundred people bought it. But it's one of those things on the internet that people find and they make into a big deal.
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Hey, I didn't make a big deal out of Hotel California. The 18 million people that bought it did.
You could have a zillion Facebook followers. Those people don't buy records. It's about a hundred to one...Record companies, they don't have any money so they see social media as the free marketing...So,...'Billy, light yourself on fire and stand upside down, and that'll market the record'. I've spent a lot of time thinking about this. I don't think people by records because of anything that happens on Facebook. They buy records cause they're friends say 'I bought this record and I love it'.
I ran out of steam and patience and so I quit. I really didn't want to make another record. I'd had it with the music business. I went home to England, bought a house and did nothing.
I wish I could go out farther from my musical history. I didn't realize how hard it was until I tried to do it. All the basic tracks on Romanian Names were done in my basement, alone, without any of the self-consciousness that comes with being in the studio. It was a completely different process. And those two things definitely made the record sound different. But you want this quantum leap from record to record, and maybe if I did make a quantum leap I'd make an unlistenable album. So maybe I'm lucky that I can't pull it off.
Traditionally, when we lived here [in Portland], we have a record player in the living room, and there's lots of stuff playing, all different kinds of music. I don't listen to any of those Internet radio things. I have iTunes on my thing, but I've never bought a single thing on it. Except for "Call Me Maybe," for the kids or whatever. Carly Rae Jepsen.
Maybe it's just a humanising thing to realise that a ton of people in bands that make really exciting music, are just big nerds. And you know, maybe the Internet's done a lot in just exposing that long-held secret.
'One Part Lullaby.' It was our big major-label record. People reference it quite a bit, but it did absolutely nothing. It's like the 'Kids' soundtrack. It did nothing. It didn't start anything for me.
For a culture that has such a problem with death, we seem to deal with it in a quite bizarre way. We see people shot, killed and blown up, and we find it funny and sexy and all those things. But, the reality of it is that every day people die, and people are really sad and they grieve and they go through a really difficult process with it.
I came here with nothing, with maybe a hundred bucks in my pocket and had to get a job. And these wealthy people who had made their money themselves, I worked for. It did show me what could be achieved in America, what's possible if you have some vision to take big risks.
I'm not thinking about the next record really yet. I kind of want to do a bunch of stuff with Jonathan Zawada, the guy who did the album art. I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record.
I'm a fan of Bill Hicks. He did things that no other stand up did at the time. He was making fun of religion, at that time it was a lot harder to say those things in the States than it was here. To slag off Christianity and fundamentalist Christians, and to be pro drugs and anti gun in the deep south, that's a big ask. And he did that and made it funny. Bill Hicks was able to say things that he really thought, and he managed to make those thoughts funny without a care if it antagonised people.
You know," he said with unusual somberness, "I asked my father once why kenders were little, why we weren't big like humans and elves. I really wanted to be big," he said softly and for a moment he was quiet. "What did your father say?" asked Fizban gently. "He said kenders were small because we were meant to do small things. 'If you look at all the big things in the world closely,' he said, 'you'll see that they're really made up of small things all joined together.' That big dragon down there comes to nothing but tiny drops of blood, maybe. It's the small things that make the difference.
I don't understand why people make me want to make music that's a join-the-dots thing by numbers. I find it really difficult when people say, 'Aw, you should have made a really big hip hop record, that would have been really good for you' or, 'You should have made a song like Lily Allen, that would have been so great.'
I think now more than ever there's so much available honesty that you can find on the Internet. You can go on to YouTube and find really, really vulnerable, really verité stuff. It's not even verité, it's real! It's people confessing very private things. In a world with "It Gets Better" videos where people are trying to keep themselves alive and speak out to other people and are really brave and courageous.
I'd like to think that what I've written over the years and what I'm doing now means something to people. People in the street all the time are saying "love the new record" or "I love that record," this tune or that tune. It means an awful lot, or it's been a big part of their lives. As a songwriter, what else would you really want? You're trying to connect with people, people's emotions, and maybe say something about their lives or feelings. That's probably a good enough compliment to receive, really.
The only thing that frees you from the need to pretend in order to make people believe you are something when you are actually not is the gospel because the gospel tells you that identity, my meaning, my security, and all of those things are in Christ.
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