A Quote by Katy Perry
I got this Jesus tattoo on my wrist when I was 18 because I know that it's always going to be a part of me. When I'm playing, it's staring right back at me, saying, 'Remember where you came from.'
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I remember when I got the part in Gentlemen Prefer Blondes. Jane Russell - she was the brunette in it and I was the blonde. She got $200,000 for it, and I got my $500 a week, but that to me was, you know, considerable. She, by the way, was quite wonderful to me. The only thing was I couldn't get a dressing room. Finally, I really got to this kind of level and I said, "Look, after all, I am the blonde, and it is Gentlemen Prefer Blondes!" Because still they always kept saying, "Remember, you're not a star." I said, "Well, whatever I am, I am the blonde!
I remember all the older guys, when I started playing, telling me how fast it all goes by. I remember being an 18-year-old and going, 'Whoa, this is the NHL. And it just flies right by, so just enjoy every day.'
I met Paul Kossoff for the first time when I was playing in the back of a pub room in Finsbury Park in London in 1967. It was kind of a blues thing going on, and he came up and said, 'I'd like to have a jam.' So he came up and jammed with me, and I just loved his playing right from the start.
Understanding who you are is saying, 'You're great; you have tons of confidence, and don't ever forget that.' And that helped me, man. Because when things weren't going right, I thought, 'You've got to remember who you are. Don't stray from that. Don't let these things get you down.'
Miles Davis came in a couple of days and said, "Oh, man, I love that. Keep going." So he said, "Let me know when you need trumpet." And he came in, and he was sitting there, and I was very intimidated, because now he's going to play the trumpet on something that I wrote." He starts to play, and I go, "That's not right, but I don't know how to tell him it's not right." Finally he goes, "When are you going to tell me what to do?" He said, "This is your music. I know you know how it's supposed to sound. Stop fooling around. We don't have time."
For me, I like to imagine being successful. I like to imagine the end, which is success. I envision it, where I can actually see it happening. Going into the ring, seeing the fight happen, seeing me winning that belt, seeing me back in my dressing room celebrating with a slice of cake, which I always had. And the same with meetings. I do prepare though; that confidence comes from preparation, because that fear is in the back of your head of not doing well, of not saying the right thing or having the right information. That's where the preparation comes in for me.
I felt bad about myself because certain people were relentlessly attacking me and my reputation. My mom kept saying 'Let it go, Lauren, It doesn't matter' ... [I] realized I had to stop worrying about what other people think. The next day I got a tattoo on my lower back that says 'sticks and stones', because they may break my bones, but words will never hurt me.
I'm always going to be passionate about the guys we have in the locker room because they've always been OK with me - they've always done right by me - so I have no problem playing with them, going out there and sweating, bleeding, and winning with them.
Everywhere I go, somebody is staring at me. I don't know if people are staring because they recognize me or because they think I'm a weirdo.
Everywhere I go, somebody is staring at me, I don't know if people are staring because they recognize me or because they think I'm a weirdo.
My favorite tattoo right now is the one on my lower stomach that reads "Almost Famous" because as my career grows I'm still humbled every morning when I look at that tattoo, and I'll always remember how much it sucked to ALMOST be famous.
It's not going to matter, but there's a part of me, a human part of me, that wants to be 60 years old, watching a Seahawks game, and they're talking about the days back when I was playing. I want to be able to feel that. I want to know what that feels like.
My entire life, I've always known that I wanted to be a performer, but I didn't know exactly how, where or when. I never learned or studied the craft, formally. I grew up doing martial arts and playing piano. But, something inside of me always said that I was going to do this, as far back as I can remember.
There are some artists that I'll always be cool with. We'll kick it and we'll check on each other from time to time. It's not always about number one records or gaining something off from being around me. I experienced all of those people that came into my life that vanished as soon as the rumor came out. They didn't even call to ask what was going on. Those that know me know that it's not true. Those people really broke my heart because they treated me differently. Just going from having everything to losing it all. I lost everything because of that.
I got my first tattoo when I was 14-years-old. Unfortunately I didn't need a signature, which I probably shouldn't of got done, because, you know, it was one of my friends who was a tattoo artist.
And I came back and it was great, 'cuz George had set up all these flowers all over the studio saying welcome home. So then we got it together again. I always felt it was better on the White one for me. We were more like a band, you know.
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