A Quote by Katya Zamolodchikova
At a meet and greet in a nightclub in Texas, a girl who looked about 15 years old gave me a VHS copy of 'Adventures in Babysitting,' and she whispered in my ear that it's really just home movie footage of her dad practicing judo.
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If you meet a girl who says: 'Darling, what do you mean? Of course I wear suspenders. I've worn them all my life. I think tights are for old people,' then know this: she's desperate to have kids, she wants you and her to live in the same house as her mum, she never wants to go out and she just wants to lie on your chest for the next 15 years.
There are the great people who have grown and loved me, like Katy [Perry] - who started as a fan and told me that one day she hoped I would dress her, and asked for a picture with me at a fan meet and greet. Now she's became one of the world's most important pop stars. I've supported her since the beginning, out of believing in a spark in her and giving her a chance because she was a girl who obviously seemed very passionate about what I am doing.
I met Kim Kardashian in a nightclub once, and she was really nice. Kanye was with her, but he didn't speak. He just looked at me.
I would just take dolls around the house - there's old VHS footage from my dad, who was an early adapter and had this RCA camera - and it's me taking a Michael Jackson Barbie doll and putting on a show with that.
I met Kim Kardashian in a nightclub once, and she was really nice. Kanye West was with her, but he didn't speak. He just looked at me.
I made a movie when I was 15 years old with all my friends. This is when IMDb was a little more lax with its proceedings, so it's listed as one of my projects. I was 15 years old; it's a terrible movie. I wrote 50 percent of it because I wanted to kiss this one girl, and I wrote a kissing scene for it.
I did a show with Tori Kelly, and it was really cool that I got to meet her. She has always been a huge inspiration of mine, and I'm obsessed with her voice, so it was great to get to talk to her about the industry. The best advice she gave me was to just be myself.
What's weird is when you meet a girl who is 23 and you are talking to her, even her voice is high-pitched, she's young. You ask her how old she is, she says, 'Twenty-three, how old are you?' and when I tell her I'm 41 it's like I've just told her I have cancer. It's, 'Oh my God, how long have you had that?'
I miss my father. I miss my grandfather. I miss my home. And I miss my mother. But the thing is, for almost three years, I managed not to miss any of them. And then I spent that one day with that one girl. One day ... It was like she gave me her whole self, and somehow as a result, I gave her more of myself than I even realized there was to give. But then she was gone. And only after I'd been filled up by her, by that day, did I understand how empty I really was.
How sadly things had changed since she had sat there the night after coming home! Then she had been full of hope and joy and the future had looked rosy with promise. Anne felt as if she had lived years since then, but before she went to bed there was a smile on her lips and peace in her heart. She had looked her duty courageously in the face and found it a friend--as duty ever is when we meet it frankly.
I played a girl. There's really nothing controversial about her. She's just fine. She has to be fine in order to make Sarah Jessica's character pop, I say I just play a white girl in that movie.
Fine,' Aria conceded. 'But *I'll* carry her.' She grabbed the baby seeat from the back. A smell of baby powder wafted up to greet her, bringing a lump in her throat. Her father Byron, and his girlfriend, Meredith, had just had a baby, and she loved Lola with all her heart. If she looked too long at this baby, she might love her just as much.
I always remember this neighbor who would ask me to babysit for her. She looked like Jayne Mansfield, and I remember babysitting for, like, five hours and she would pay me 80 cents, with a phony smile. I used to go home fuming to my mum.
My mum and dad weren't together when I was born. When I was a teenager, dad brought this girl round: here's your sister. She was only two years old, and I never saw her again from that day.
Over time it just got more and more intense as far as the trust factor. For example, when we started editing the film [Dream of Life], I thought, man, I need to make sense of all the footage I have; I need to ground the film. And one day I was hanging out in Patti's [Smith] bedroom, which is where Patti works, and in the corner of her bedroom is this great chair, and that's when she began showing her personal things to me. The camera was there, and we realized that we were really making the movie and making sense of the footage in the movie.
When I looked at her, she appeared to be a different person from the one I'd known... She had rewritten everything, our history together, our friendship. Now I was the girl who'd stolen Andres; the girl who'd lied to her about who I was. Therefore, she owned me nothing.
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