A Quote by Kay Cannon

I was working at 'New Girl' when I found out there was going to be a 'Pitch' sequel. — © Kay Cannon
I was working at 'New Girl' when I found out there was going to be a 'Pitch' sequel.
I'm going to do a sequel to 'The Girl with the Dragon Tattoo' and this one is called 'The Girl in the Spider's Web', which is an American production. It's a clean slate: new cast, new director and everything and they're skipping from book one to book four.
They always say 'Is there going to be a sequel to Bad Santa?' and you know, I mean, a long time ago they would talk about, you know, we're going to do a sequel to that but it was never serious. And they said 'Would you do it?' and I said out of all the movies I've done, that was a lot of fun, and maybe I would do a sequel if it ever came up and it made sense, but I said I don't think that's ever going to happen.
I never went out. I was not the guy at the club. I was almost scared of going to the club. All of a sudden, I found myself working with certain artists from L.A. and hanging out in L.A. and being introduced to a whole new lifestyle... and getting in trouble with them.
The way I pitch is the way I pitch. I'm not going to change my overall philosophy. I'll just go out and pitch.
I am working on current material, a new album, and that is all still my main motivation of going out and working. We haven't gotten rid of all the new stuff in favor of the old.
A sequel is going to be a pressure no matter who directs it. A sequel is only made when the original film works.
I found that if I offered to cook for a girl, my odds improved radically over simply asking a girl out. Through my efforts to attract the opposite sex, I found that not only did cooking work, but that it was actually fun.
Everybody likes new shoes! It is a new feeling, going onto the pitch, so it is great to be able to wear them straight out of the box. They are comfortable straight away and move with you. I could not do that with my old shoes. So every time I have a big match, I want new shoes straight out of the box.
I've always found music inspired me in the studio to try to do new things. If someone comes out with a new album, it's like, 'Gosh, they've been working hard - so should I.'
If the pitch starts with a sob story, I'm out. If the pitch talks about personal issues, I'm out. If the pitch starts off with how big the market opportunity is, I'm out. If the pitch tells me what is unique about the product, how it can make a profit, and it's an area where I have expertise, I will read on.
I've always been down to try out new things, but I was more of a jeans girl at age 17. I didn't want to show my legs. Now, I'm a dress-shirt girl, a shorts girl, a jeans girl, an overalls girl - I'll wear anything!
Sometimes we're going to take marginal pitches on the edges and get called out on strike, but we want to get a pitch that we can drive and a pitch we can do damage on. I think when you do that, you don't necessarily chase as much out of the zone.
I'm working on a new pitch. It's called a strike.
I feel the way I always do about sequels. If there's an idea that excites me enough, and it feels like a way to do something new and fresh, then great. But I don't ever want to do a sequel just for the sake of doing a sequel.
If you're going to make a sequel to 'Sicario', you have to - you know, you've got to go beat a brand new path.
I never said I was a 'good girl.' I'm not a bad girl. I'm just normal, and that's what I'm going to be. There's no bad girl with whips and chains that's going to come out. I think people like me because I was myself.
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