A Quote by Kay Cannon
When I was younger, I wanted my hair to look like Molly Ringwald's.
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I think I was, like, 23 or something [on The Breakfast Club]. I was the oldest of the five. Emilio [Estevez] and Ally [Sheedy] were a year younger. The only real difference was that Molly [ Ringwald] and Michael [Hall] still had to go to school. They could shoot, like, a half day. So a lot of my close coverage was done with Molly's stand-in, so Molly could do her schoolwork.
A couple of years ago I used to have long, curly, mermaid hair that was amazing, and then I broke up with my boyfriend and I cut it off to my shoulders. It was in this awkward Molly Ringwald phase, so I just kept cutting it shorter.
Molly Ringwald's characters always had a complex personal life, and I appreciated that.
I had never seen the classics with Molly Ringwald, like 'Pretty in Pink' or 'Sixteen Candles,' or '80s horror, like 'Poltergeist,' 'Close Encounters,' and 'Nightmare on Elm Street.' I went back and watched all of those.
Molly Ringwald, she's a natural talent. Every girl in this country related to that girl.
There were a few things that, in rehearsal, any one of us might try. [John] Hughes would go, "I like that," to me spitting up in the air and catching it in my mouth. It was just something I did in a rehearsal and Molly [ Ringwald] went, "Ewww." And John went, "Can you do that again?" And I went all day long, and he was like, "Okay, let's do that."
The three main leads [in Townies] were Lauren [ Graham] and Jenna [Elfman] and Molly [Ringwald], and then Ron Livingston was on it as well. There was a lot of people to write funny stuff for.
I like having black hair. When I was really young, I wanted to be Asian - Asian hair is beautiful. I also wanted to look like the girl in George Michael's 'Father Figure' video.
Molly works because, while Watson is ‘the audience’, Molly is every woman of a certain age sitting at home on the settee fantasizing about running their hands through Benedict Cumberbatch's hair. ...Also, I think most people have experienced the agony and the ignominy of unrequited love. I’ve never thought Molly was an idiot. She just really, really loves him.
Though [John] Hughes did provide for us, if we wanted, to go to a local high school and try to blend in. Michael [Hall] and Molly [Ringwald ] already had school to go to with their tutors. Ally [Sheedy] wanted nothing to do with high school. She said, "I remember it fine. I don't want to go back." Which is great. So Emilio [Estevez] and I went. And Emilio lasted a couple hours because people recognized him from The Outsiders that had already been out, so his cover was blown.
I'm a huge John Hughes fan, and I grew up in the '80s, when his films came out. So, my introduction to what you'd call 'cinema love,' that illusion of love, was 'Sixteen Candles' and Molly Ringwald.
A TV touchstone for me is 'The Days and Nights of Molly Dodd.' That series was whimsical and smart and had the mix of comedy and drama that I now trade in - but with a dash of magical realism. I wanted to be Molly Dodd, but more than that, I wanted to be Jay Tarses, who created the show.
When I was younger, I thought that straight hair was, like, the only thing. So I was trying to be like Naomi Campbell or Tyra Banks. I didn't know that people would add hair for more length. I'm like, 'Oh all these people just have natural hair like this.' I obviously grew up and figured out that everyone does something to their hair.
I wanted little kids in Brazil to look at me like I used to look at Roberto Carlos. I wanted them to start growing their hair out because of Marcelo, you know?
Her voice is thin and her moan is high,
And her cackling laugh or her barking cold
Bring terror to the young and old.
O Molly, Molly, Molly Means
Lean is the ghost of Molly Means.
I left my apartment in London and I sold everything. I literally had $1000 and a suitcase when I got on the plane. The next day I enrolled in my first acting class. We had some great people, Jim Carrey, Ellen DeGeneres, Molly Ringwald. It was very inspirational.
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