A Quote by Kay Kay Menon

I don't exactly relate to grey characters. — © Kay Kay Menon
I don't exactly relate to grey characters.
I'm a hardcore reality lover. I love characters that people can relate with and yet a tinge of grey shade.
Grey characters don't only mean broody characters. A totally smitten lover boy can be equally grey if written that way.
In my own work, I don't have favorite characters, but I have characters that I relate to the most. And I relate the most to Simon from 'The Mortal Instruments,' and also Tessa from 'The Infernal Devices.' They're more sort of bookish and shy characters.
Completely committed to adapting 'Fifty Shades of Grey'. This is not a joke. Christian Grey and Ana: potentially great cinematic characters.
I generally like grey roles. My interpretation of drama is different from the popular perception. Acting, for me, is not about overplaying, it is about concealing. I like flawed characters that people relate to. I would never do a romcom.
I choose grey characters, as I enjoy playing a human character. I don't shy away from showing the shortcomings of my characters.
Even the sky was grey. Grey and grey and greyer. The whole world grey, everywhere you look, everything grey except the eyes of the bride. The eyes of the bride were brown. Big and brown and full of fear.
Yokohama does not improve on further acquaintance. It has a dead-alive look. It has irregularity without picturesqueness, and the grey sky, grey sea, grey houses, and grey roofs, look harmoniously dull.
Now, among the heresies that are spoken in this matter is the habit of calling a grey day a "colourless" day. Grey is a colour, and can be a very powerful and pleasing colour.... A grey clouded sky is indeed a canopy between us and the sun; so is a green tree, if it comes to that. But the grey umbrellas differ as much as the green in their style and shape, in their tint and tilt. One day may be grey like steel, and another grey like dove’s plumage. One may seem grey like the deathly frost, and another grey like the smoke of substantial kitchens.
To me, grey is the welcome and only possible equivalent for indifference, noncommitment, absence of opinion, absence of shape. But grey, like formlessness and the rest, can be real only as an idea, and so all I can do is create a colour nuance that means grey but is not it. The painting is then a mixture of grey as a fiction and grey as a visible, designated area of colour.
I definitely did not play myself. As the writer of the script, I have traits of all the characters. I can relate to all of the characters.
I think the universal themes of "American Pie" are what make it attractive to everybody. How to people relate to these characters? It's because these five male characters in this movie wouldn't ordinarily be in the same friend group and they each have their own part to play in the whole thing. There's a character for everybody in this movie that they can relate to... that they either were or knew someone that was. To cover the range like that is pretty unique to our franchise.
I'm mostly interested in characters and how they manifest themselves in their relationships. I'm delighted that people relate to the characters in 'Bojack,' and hopefully they will too to the characters in 'Undone.' If they understand themselves or feel seen in a new way, I think that's a wonderful thing.
Good people can do terrible things, and that's what life is all about, the complexities and grey areas. And often characters aren't written that way in movies, especially characters for women. So you end up being either one thing or the other.
I want to play characters that people relate to, characters that make different kinds of women in society feel represented.
If you can relate to what the character's going through, the story can be as ridiculous as possible, and people will relate to it. You can be fearless in your storytelling if you're vigilant about protecting your characters.
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