A Quote by Kay Redfield Jamison
Conditions of thought, memory, and desire, persuaded by impulse and irrationality, are influenced as well by personal aesthetics and private meanings.
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I felt that I could swim for miles, out into the ocean: a desire for freedom, an impulse to move, tugged at me as though it were a thread fastened to my chest. It was an impulse I knew well, and I had learned that it was not the summons from a larger world I used to believe it to be. It was simply a desire to escape from what I had.
I think I've got a peculiar disease. I call it the curse of history, and it has to do with the fugitive absence/presence of both personal and collective memory. At first I thought it was a kind of personal illness, just related to time, private time, time that passes in one's life. So I decided to forget and throw myself into the future.
Because history is only an aggregate of personal hostilities, personal prejudices, personal blindness and irrationality, there are times when we have to live against it.
Because people's desire to be comfortable supersedes their desire for self knowledge and well being, they avoid any form of discomfort. This is the impulse that drives us to repress undesired emotions, thoughts, and past trauma.
That single thought is enough. The impulse increases to a wish, the wish to a desire, the desire to an uncontrollable longing, and the longing (to the deep regret and mortification of the speaker, and in defiance of all consequences,) is indulged.
Karma is experience, and experience creates memory, and memory creates imagination and desire, and desire creates karma again. If I buy a cup of coffee, that's karma. I now have that memory that might give me the potential desire for having cappuccino, and I walk into Starbucks, and there's karma all over again.
I have always thought that all men should be free; but if any should be slaves, it should be first those who desire for themselves, and secondly those who desire it for others. Whenever I hear anyone arguing for slavery, I feel a strong impulse to see it tried on him personally.
Craftsmanship names an enduring, basic human impulse, the desire to do a job well for its own sake.
You must not allow yourself to be advised, cautioned, influenced, persuaded
To say that historical conditions made personal life possible, and with it the self-consciousness that allowed psychoanalysis to emerge, is to tell half the story: one also has to consider that the erotic impulse, ever pressing for satisfaction, had something to do with making the history that encouraged its expression.
Confusion conditions activity, which conditions consciousness, which conditions embodied personality, which conditions sensory experiences, which conditions impact, which conditions mood, which conditions craving, which conditions clinging, which conditions becoming, which conditions birth, which conditions aging and death.
The desire to punish is a desire that emanates from a place of equality and justice. The lesson I feel that we have to confront is that that impulse is so easily transmuted into something corrosive and corrupt in how it's actually put into practice. That's the danger. It's not that the impulse is wrong or unjust or not totally righteous. It's that the ways in which the system that operates, the system that we've constructed tends to not deliver the promise of equity we might want, when we look to the system to provide it.
It's my job to be able to deal with adverse conditions as well as kick well in good conditions. I just look to prepare to go out to do well no matter what it is.
The mystical impulse in men is somehow a desire to possess the universe. In women, it's a desire to be possessed.
All men, in the abstract, are just and good; what hinders them, in the particular, is, the momentary predominance of the finite and individual over the general truth. The condition of our incarnation in a private self, seems to be, a perpetual tendency to prefer the private law, to obey the private impulse, to the exclusion of the law of the universal being.
Aesthetics - rather than reason - shapes our thought processes. First comes aesthetics, then logic. 'Thinking in Numbers' is not about an attempt to impress the reader but to include the reader, draw the reader in, by explaining my experiences - the beauty I feel in a prime number, for example.
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