A Quote by Kay WalkingStick
Don't be afraid of expressing what you really mean in your art, what you really feel. Say it visually, as strongly as you can. Push as far a reach as you can, then go all the way!
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I am really interested in the idea that art can reach wider, can go further, can go beyond the art world, why not? People are intelligent, people are visually intelligent, and why shouldn't the work be able to engage some of that?
If I know what something's about, and I can always have that touchstone, I feel like I can reach for really ridiculous humor and also go really dark in terms of the things I'm afraid of.
I don't mean this, but I'm going to say it anyway. I don't really think of pop art and serious art as being that far apart.
I don't consider myself as a great painter; I just feel that art is about expressing your emotions and expressing your feelings, and music is the same way; you can see what other people are going through.
I feel like one of the things I'm trying most to do is stretch my empathetic reach, as far as it will go. I got as far as Gilles de Rais' assistant, for example, and not really as far as de Rais himself.
I think Broadway is good for sharpening your skills. It's the best for really reaching the zenith of your talent. You go so far and reach the peak of it and you say, "Maybe this is the best performance I can do."
I really feel like if you can get past your fear, if you can say, "Uh-uh, I'm afraid to do that and I'm going to do it anyhow," that that's really the way to have a satisfying life moving forward. I think I had that kind of fearlessness even as a young person. It wasn't tempered by experience or wisdom, but it took me a long way.
Individuality is a personal thing. It's based on your own personal feelings and expression of self. So, really, it's nobody's business to judge you but yourself. And if you feel that you're expressing yourself as an individual, and you feel confident in it, then that really should be all that matters.
You never really know what the director has got in his mind as far as the scene visually and art direction wise.
You never really know what the director has got in his mind as far as the scene visually and art direction wise, etc. Even if you do, sometimes there's a side of things that don't necessarily gel the way people intend. So there a bit of a mystical entity, film.
My dad really wanted to work in Tokyo and he made it happen. That's important in the way that I grew up. If my parents wanted to do something, then they would do it, and they always push me to try things, to not be afraid of changes and to go out in the world and not be bound by what we're supposed to do.
Women were afraid of me, they were scared to death. But I always say be yourself, if you're funny then let your sense of humor go there. I mean there's no sense hiding what you feel.
If you take any activity, any art, any discipline, any skill-take it and push it as far as it will go, push it beyond where it has ever been before, push it to the wildest edges of edges, then you force it into the realm of magic.
When I'm naked, I really like to do push-ups. No. I think I really tackle it like everything else. If you're going to commit yourself to playing something, you have to be able to understand it. If you can understand it, then you can do it and go balls out with it. But, I've never been in a position where I've been like, "This doesn't feel right." I wouldn't do it, if it was that. I like the shock value of it. I think that, if you use it correctly, it's pretty effective, as long as I'm lit really, really, really well.
Glamour is not self-conscious; it’s not trying really hard. It’s just expressing your own truth. I think that’s what the essence of glamour really is—expressing your uniqueness.
Any time you're banged up, your body hurts, you don't really feel like going to the gym. That's when I feel like you really have to push through it. That's when you really make the leaps and bounds in your game. So, pushing through those days is never easy, but that's what gets you good.
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