A Quote by Kay WalkingStick
When in doubt, make a red painting.
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If I decide to make a coat red in the show, it's not just red, I think: is it communist red? Is it cherry cordial? Is it ruby red? Or is it apple red? Or the big red balloon red?
My primary thing is to make a painting, not necessarily to make a painting to sell for gazillions of dollars, but just to make a painting.
In fine arts, when you make a painting, it's just a painting. But if you make a painting in the entertainment industry, it can be an album cover or a t-shirt or a logo.
I reduced painting to its logical conclusion and exhibited three canvases: red, blue, and yellow. I affirmed: this is the end of painting.
Painting it was hard graft... in addition red, yellow, brown ochre, black, terra sienna, bistre, and the result is a red-brown that varies from bistre to deep wine-red and to pale, blond reddish.
Doubt is a central factor all the time. There's always the doubt: What the hell am I doing out here in the middle of the woods, all alone, painting?
In fine arts, when you make a painting, it's just a painting. But if you make a painting in the entertainment industry, it can be an album cover or a t-shirt or a logo. I like that entertainment has this usefulness - that it's ultimately trying to make a bunch of people feel something, and to think about life and be able to use things that were so simple and direct but potentially have a really powerful effect.
Royce turned to Hadrian. “It’s supposed to make them look tough, but all it really does is make it easy to identify them as thieves for the rest of their lives. Painting a red hand on everyone is pretty stupid when you think about it.” “That tattoo is supposed to be a hand?” Hadrian asked. “I thought it was a little red chicken. But now that you mention it, a hand does make more sense.” Royce looked back at Will and tilted his head to one side. “Does kinda look like a chicken.
Nobody likes to see a body, but it's better than seeing a ghost. Bodies just make you doubt the world and the people in it. Ghosts make you doubt everything, and to doubt it in a part of the mind that has no words to answer the question, where the comforting promises you make yourself are neither believed nor even really understood.
I personally love Essie because they're such a good brush, and it's so easy to apply. I always go red. If I'm in doubt, I go red.
I choose color on the spur of the moment. People ask me why I paint in red. I do not have the slightest idea. I was painting in blue, then I had a need to paint in red. To be able to interact with the medium, this is the key. There are no sure ways to do art.
I'm not anti conceptual art. I don't think painting must be revived, exactly. Art reflects life, and our lives are full of algorithms, so a lot of people are going to want to make art that's like an algorithm. But my language is painting, and painting is the opposite of that. There's something primal about it. It's innate, the need to make marks. That's why, when you're a child, you scribble.
Do you call it doubting to write down on a piece of paper that you doubt? If so, doubt has nothing to do with any serious business. But do not make believe; if pedantry has not eaten all the reality out of you, recognize, as you must, that there is much that you do not doubt, in the least. Now that which you do not at all doubt, you must and do regard as infallible, absolute truth.
I think a good painting or a good work of art does many things it wants, I mean, maybe 15 or 20 or 100. One of the things a painting does is to make the room look better. It improves the wall that it's on. Which is much harder than it looks. And that's a good thing. And if one engages with a painting on that level, that's fine, that's great. After some time, familiarity, the other things that a painting does, the other layers, they just start to make themselves felt.
A lot of what I do is about being in the moment and I think that's hard for people to get. I like it when things suddenly affect the painting. I mix up this red and it affects the whole painting or this little bit of white falls down there, and something changes the whole nature of the thing. The residue on what happens, that's what's in the paintings.
There are many different kinds of doubt. When we doubt the future, we call it worry. When doubt other people we call is suspicion. When we doubt ourselves we call it inferiority. When we doubt God we call it unbelief. When we doubt what we hear on television we call it intelligence! When we doubt everything we call it cynicism or skepticism.
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