A Quote by Kaya Scodelario
It's great to have people to bounce off and I love working with people my age. I think young actors have such energy about them and such a passion and a drive to do their best and prove themselves constantly, and to work with that is really fun and interesting.
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Working with the actors, working with production designers, working with the creative people who surround the process is really fun, it's really inspiring and I take great pleasure in working with them. That's what's most fun about directing.
People ask me a lot about my drive. I think it comes from, like, having a sexual addiction at a really young age. Look at the drive that people have to get sex - to dress like this and get a haircut and be in the club in the freezing cold at 3 A.M., the places they go to pick up a girl. If you can focus the energy into something valuable, put that into work ethic
Do what you love and try not to look at what other people occupy themselves with. Most people seem restless and bounce around too much to focus or even pay attention enough to themselves to figure out exactly what they really do love, as opposed to what the people that surround them are doing.
I think casting is really important. Finding the right sensibility for the right part is an art in itself. If you're off there, you make it harder on yourself as a director. And it's fun to work that out with the actors. I don't think there's any magic to directing actors. It's very instinctual. Working with actors is really one of my favorite creative moments of the whole process, and the most fun, because it's collaborative. I spend a lot of time rehearsing. I'm very rehearsal-oriented, probably because I have some background in theater. I like knowing what will work beforehand.
I can't wait to do a fully improvised script again, to find people who are really comfortable and into it. It's about the capabilities of the people you're working with, what are their strengths and weaknesses. Some of the most brilliant actors need the spine of the text to work off of, and there's no shame in that; they're actors, not writers.
I think all of us, at some point early on in our lives, knew that we wanted to create music. We are still really young and sometimes we do feel like we have to prove were as great as all the rest of the bands -old and young. But we just do what we love and people seem to be really excited about it.
I really love young Tom Hanks. He's just one of my favorites. He's a great, quirky every-man. I also love Zach Braff. I really love actors that are quirky and interesting, that sort of try to portray 'normal' people.
Sure, it's fun to chat with people with interesting backgrounds who seem to have a passion for your company. But a job interview is not a friendly chat. You need to determine whether candidates, can they really do the job. So ask them to prove it.
People with passion are incredibly inventive and tenacious individuals. They go way beyond the call of duty and frequently either work on their passion without pay or give more of themselves than their pay warrants. And I do not equate passion with workaholism, in which people say they love their work so much they do it all the time. Workaholics are working to fill a vacuum, or to escape, not to connect with their souls.
Charlie and I discovered at a really young at that we had a passion for figure skating, and I think that passion drives us to work every day to improve and grow. We have really learned to love our sport more and more, year to year. And the hard work really pays off.
I love working with young people and young filmmakers, and I love working on first films. I think it's cool. It's fun. I just take it as it comes.
I wasn't working much. So I focused on studying, and I really learned what it means to be an actor. And here I was on Jonny Quest,working with all these great people from back in the golden age of Hollywood, who came up doing radio. These were journeymen, working actors. It made me proud, and gave me some insight into what acting was really about if you weren't a star.
Of course I love when people are quiet, but I also love when people are comfortable. I love when people emote. The flip side of having a totally silent audience is that they're less likely to react to you in the space, and I think that's one of the great things about performing live: you get energy from the audience, and you give energy back to them. There's interaction.
Even in the things that look most frivolous there has to be the threat of something quite painful to make the comedy work. I suppose the play of mine that's best know is NOISES OFF, which everyone thinks is a simple farce about actors making fools of themselves. But I think it makes people laugh because everyone is terrified inside themselves of having some kind of breakdown, of being unable to go on. When people laugh at that play, they're laughing at a surrogate version of the disaster which might occur to them.
It really is great. Especially having people who we make fun every week come on and poke fun at themselves is really cool, I love that. No reality star has been mad at me yet for making fun of them. I'm sure that one day soon though, someone is going to take a swing at me.
I like to work with co-writers because I think it's really fun to bounce ideas off each other.
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