A Quote by Kaya Scodelario

Who doesn't want to shoot for 'Vogue?' I remember updating my Facebook status to say 'Doing 'Vogue' today', it was so exciting. I thought it would be really intimidating, and I don't like photoshoots, but that was the most relaxed one I've done.
Within two months I made the grand slam: covers of 'American Vogue', 'Italian Vogue', 'British Vogue', and 'French Vogue'.
I like having young assistants in my office; they have energy, and I spend time with them to make sure they understand what we're doing. By investing in them, I'm investing in the magazine. All over 'Vogue,' 'Teen Vogue,' and 'Men's Vogue,' there are people who have been through not only my office but also many other offices at 'Vogue.'
Vogue Magazine does something really interesting here: They make it look like I know exactly what I'm doing. Because Vogue made it look like I knew exactly what I'm doing, stores from all over started calling.
With all the new media outlets out there, with all the noise, a voice of authority and calm like Vogue becomes more important than ever. The more eyes on fashion, the more opinions about fashion, the more exploration of fashion around the world, the better it is for Vogue. Vogue is like Nike or Coca-Cola—this huge global brand. I want to enhance it, I want to protect it, and I want it to be part of the conversation.
'Vogue' is a very specific world. You are 'Vogue,' or not 'Vogue.'
When 'Teen Vogue' started out, 'Teen Vogue' was an aspirational fashion magazine for fashion lovers. You know, it was the little sister to 'Vogue.' And over the years, we've realized that our mission was really to become more focused on making this an inclusive community that speaks to every kind of young person.
At the same time as the UK Vogue one, I did a shoot that took about 40 days of friends and people I admired in Paris, for French Vogue. This is how I met Maria Schneider in June and which began our friendship.
I thought Italian Vogue had always been considered the most experimental, avant-garde magazine. If I was going to use the same kind of language and the same kind of photos or images on the web site, it would be a disaster because Vogue has its own world, and it could be a little bit cold, you know? We don't give what you call a service.
Patrick Demarchelier was the one who got me my first 'Vogue' cover. It was French 'Vogue' - I think in '87 or '88. I think I was the first black model to be on the cover of French Vogue, which was shocking to me because when I asked them about it, they were like, 'Oh, no. We've never had that before.'
Patrick Demarchelier was the one who got me my first Vogue cover. It was French Vogue - I think in ’87 or ’88. I think I was the first black model to be on the cover of French Vogue, which was shocking to me because when I asked them about it, they were like, "Oh, no. We’ve never had that before."
People always associated me with 'Vogue,' 'Vogue Living,' or 'Elle Decor.'
By the time I came to the States, I really understood how a magazine works. I came to 'Vogue' as creative director, and three years later I went back to London to be editor in chief of British 'Vogue.'
I think there's much more fashion competition in the more junior levels of the fashion department. And that's exciting and stimulating to see, because it's 'Vogue;' it's great to see people dressed originally and with great style and panache. It wouldn't be 'Vogue' otherwise.
The red library is Sui's tribute to fashion maven Diana Vreeland, who served as editor for Harper's Bazaar (1939-1962) and Vogue (1963-1961). My most precious collection is my bound Vogue magazines, .. and they're kind of like my Bible. I look at them all the time when I'm trying to inspire myself for a collection.
Sometimes I'll write a tweet that I'll just be like, 'Why do I have to say this to all of these people?' It's like writing a Facebook status: it's the same. I view tweeting as like writing a Facebook status. Remember when we used to write statuses?
When I started in 1992, I really thought the 'Vogue' fashion department was one of the most frightening places on the planet.
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