A Quote by Kaya Scodelario

When I'm at work, I do try and embody it as much as possible. — © Kaya Scodelario
When I'm at work, I do try and embody it as much as possible.
I'm very blue collar myself. So it was easy for me to embody that in a sense. It's much harder for me to embody Norrell than it is to embody Terry Donovan.
I really feel actors should try and do as much diverse work as possible to try and keep it interesting.
I try to balance work and play. I'm really grateful that I can kind of have that philosophy, so I can try to get out of the city as much as possible, even though I love the city and I'm not ready to leave it.
I relax while I work. It's really weird but my job doesn't feel like work at all. That's why I try to do as much as possible. When I'm on the set, learning lines and playing around, I'm relaxed. It's so amazing.
When I have hiring power, I try to work with women in my camera crew as much as possible.
I try to offer as much as I can to the director so he has as much to work with as possible to create the character that, really, he wants to create in a sense.
I have always considered myself a fast learner. I try to retain and absorb as much information and knowledge about the [music] business as I can. I don't want to just sit back and have other people do the hard work for me. I try to be involved in every process of my career as possible. I run my own social media, record, and try to vocal produce myself as much as possible, write my own songs, style myself, and learn the business side. If I didn't do acting or music, I was going to school for business. God has put me on this path and I can honestly say I wake up every day doing what I love.
Anxiety is a really crippling condition, and I suffer with it myself, and I feel for anyone who suffers from it. The way that I deal with it is try as much as possible to stay in the moment to not think about the past and not think about what's coming up in the future: to try and just seize the moment as much as possible.
I approach my work with a passionate intensity, acting as if its success depends entirely on me. "But once I've done my best, I try to let go as much as possible and have no expectations about how my work will be received by the world."
You just try and do as much variation and as much difference and as much as possible, so you put yourself out there to try anything, really. As long as you feel you're going to get something out of the experience, it's all worth it.
Try to stick to free weights as much as possible as they work the stabilizers as well as the main muscles being targeted!
I avoided as much work as possible in the classroom, but did all the work possible on the ball field.
I try to get as much sleep as possible, moisturize as much as possible and always wash my face before I go to sleep. It's a non-issue. And if I'm too lazy, I'll use makeup-remover pads.
I try to shut my brain down as much as possible. And let the melodies flow, if possible.
I try to challenge myself as much as possible, as often as possible.
I try to educate myself as much as possible, as I do with the director and the designers and everyone I used to work with. It just helps, I think, with the frame of reference for who you're working with.
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