A Quote by Kaya Scodelario

The thing you think is going to be huge ends up not being huge at all, and the most minute thing you do is talked about for the rest of your life, so I try not to have any expectations at all. I think that helps, if you're just focusing on the project at hand.
Maybe it was just me shorting myself to hedge my expectations. As a fan, I was excited about the project. If you look at the body of work for the people involved, I was excited about the project, but I didn't really know. There were people saying, "I think we're going to be part of something huge."
I learned this through Iron Man - it really doesn't matter what I think about who he is because everybody has such a huge idea about what they think the guy is. You can't just rely on your instincts and your imagination, you have to match up with what the expectations are from the people.
I think Mixed Martial Arts is going to be a huge thing coming up in pro wrestling, and I like to think of myself as one of the first guys to try and implement that into my style.
The reason to go public is that it is a massive branding, marketing, credibility, trust-building exercise with your customers, and then it allows you to consolidate power and scale and market share. Do we want to be a huge company with a huge impact? If the answer to that is yes, the only way that that happens is by going public. It is effectively a branding event that catalyzes interest. It helps with recruiting, it helps with marketing, it helps with sales. It just helps on many dimensions. I think it's basically a litmus test for the CEO's ambition.
With my channel, and what people associate with Internet, most people think it goes viral, you become this huge thing super quick. I never had an explosion or a huge thing. It's just been something that has progressively been growing. It's been building.
It's just that, right now, I want to hear you promise me that if we do run out of time and I go mad, like Miranda, it ends with me. The curse ends here, because our baby will be safe. You will make that happen. Isn't that so?" It took him a minute. "Yes," he said finnally. "It's so. Although, if we're just going to talk about the baby, I can think of an easier way to save her." Oh? What?" I'd just lock her up from her sixteenth birthday on." Lucy didn't laugh. "Don't think I haven't thought of that too, love. but here's the thing. That parents try that in all the fairy tales. It never works.
I think the biggest thing is just focusing on the day-to-day, your routine, not getting caught up in the future or the past and just being right there and focusing on what you have to do that day or that night to help your team win.
I just do what feels right. I think the great thing about getting to do what I do is that you can try out being a different person without having to screw up your life to do it.
You take it very seriously when you start any project, but not everything in life ends up where you think it's going to be.
By the law of averages, there has to be life elsewhere. The universe is so huge, and I don't think God would have created this whole big huge cosmos and just say there's only going to be life on Earth, and that's it.
I think if you're going to show a true representation of any one life, it can't be about any one thing. I try to see more of a full picture, with the romance just a single part.
I think that so much of the creative process is a fragmentary one, and then it's about just allowing your intuition to put it together for you. It's funny how you create something and you think you're going in a million different directions, and then the thing you end up with is the thing that you wanted to create your whole life, but you're just as surprised by it as anybody else.
Being a working mother is not easy, but I think it helps you choose what's important in your life. If I think about starting a new project - whether it be music, a movie or a fragrance - I always stop and think: Is this something I feel really passionate about? That way, if I'm not at home at least it's for something I really love, and my son can look up to that.
The most important thing is readers. I've got a huge Twitter following, but I don't really think it sells books; I don't think a huge Facebook following sells books - although these things aren't bad, of course.
I don't just rely on my right hand when I'm in the ring. That's the least thing I think about. I think about the preparation I've trained for, and I try to execute. And guys can't stand up to the power. I've been blessed with that, and it's something that can't be taught.
My education was a huge influence. I trained at the Lee Strasberg Institute at Tisch, which is a huge foundation for young actors. They teach you their methods, and give you the sense that acting is much more tangible than most people think. I think there's a mysticism of what acting is, in the fact that it's this ungraspable, spur-of-the-moment thing that nobody can understand.
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