A Quote by Kaytranada

It's easier to collaborate with instrumentalists than singers; they know exactly the sound that I need. — © Kaytranada
It's easier to collaborate with instrumentalists than singers; they know exactly the sound that I need.
They're great instrumentalists, singers and songwriters and they have this unique way of blending contemporary with traditional. The result is this beautiful mix of timeless music.
For the most part, I've been influenced by black singers and singers I couldn't sound like. Whenever I tried to do a dark note or a bent note, I would just sound like Hootie And The Blowfish.
It is much easier to make measurements than to know exactly what you are measuring
Instruments sound interesting, not because of their sound, but because of the relationship a player has with them. Instrumentalists build a rapport with their instruments, which is what you like and respond to.
We have such fantastic talent in India, and there are some great Marathi singers, great sound producers, great sound engineers, and a great breed of lyric writers. But the problem is that you need a platform.
In the past we've tried to hire people in locations where we have critical mass, because we thought it was better for people's career development and easier for them to collaborate. We realized if you have somebody in a particular location who is willing to work the hours to be able to collaborate, you can do it very efficiently.
I am very impressed by The Carrivick Sisters, one of the best young duos I’ve heard. The girls sing and play as one and their work is characterised by great musicality. They are not only very talented instrumentalists and singers but they write really good songs as well.
I think we did our first session in 1958. There were no black background singers - there were only white singers. They weren't even called background singers; they were just called singers. I don't know who gave us the name 'background singers,' but I think that came about when The Blossoms started doing background.
In the hierarchy of instruments, if you're a harpist, you're considered someone with a brain much more than if you're a singer. Even though singers, particularly singers who can play piano... If you go to the office of career development, you can get a gig much easier. Still, musicians tend to look down on you. I think they've got some nerve, because if they could sing, they would do it, but most of them can't.
I don't know many singers who actually do like the sound of their own voice.
To produce a proper album, you have to be in the studio and collaborate with all your singers. It takes a lot of time.
In high school, we had a really great jazz program that I finally was able to be a part of. They only wanted instrumentalists; they didn't want any singers. But I made my way in, and I remember the conductor of the band wrote a lot of arrangements and asked me what I wanted to sing.
When you write and direct your own film, you basically know exactly what you want. Or you hope to. For the studio, it actually can make life a little easier, because if you have a bunch of questions, they only need to call one person.
All you need in a successful boyband is two great singers and three okay singers and you get can away with it.
With my previous record deal, it'd be like, 'OK, so I have this track then, EMI - do you know any singers, maybe? Do you have any singers on your little label there?' And funnily enough, they didn't. But I prefer finding unknown singers myself anyway.
I rarely know exactly what I want to do, but always know exactly how I want it to make me feel. Feeling always leads the sound!
This site uses cookies to ensure you get the best experience. More info...
Got it!