A Quote by Kazimir Malevich

Everywhere there is craft and technique; everywhere there is artistry and form. Art itself, technique, is ponderous and clumsy, and because of its awkwardness it obstructs that inner element.
The only craft and technique you have legitimate access to is the craft and technique you forgot, that has dissolved itself into the unconscious... Because you have learned it so well you have forgotten it.
Although most informed balletomanes would place artistry above technique, artistry without a strong technique is a flaccid, bloodless thing indeed, whereas technique without much artistry can still dazzle us in the manner of the circus or sports arena translated to a higher plane. Though the perfect blend of the two elements is the consummation devoutly to be wished, the real enemy of good ballet is not the slight preponderance of one or the other but the prevalence of pantomime--the turning of dance into second-rate theater.
I think I'm the same dancer everywhere. But I've learned a lot with Bolshoi - the history of the theater, the technique of the theater, different nuances in my technique.
Some people when I speak of awareness of the "inner body" call it a technique. I would not call it a technique because it is too simple for that. When the oak tree feels its roots in the earth, its connectedness with the earth, it is not practicing a technique.
I try to show good technique - boxing technique, wrestling technique, jiu jitsu technique.
A terrorist can attack any time, any place using any technique and you can't defend everywhere against every technique at every moment.
The novel is perhaps the highest art form because it so closely resembles life: it is about human relationships. It's technique, page by page, resembles our technique of living day by day-a way of relating.
There's a difference between craft and painting. Craft, your job is to make it exactly the same every time. Painting is the opposite, but in painting there is some craftsmanship, which is called technique. But technique is spontaneous. That's the treasure, the most important part. You are in it.
These performers that go on about their technique and craft - oh, puleeze! How boring! I don't know what 'technique' means. But I do know what experience is.
Technique itself springs from play, because we can acquire technique only by the practice of practice, by persistently experimenting and playing with our tools and testing their limits and resistances.
It is a temptation to exploit one's technique because an audience is easily reached this way, but they cannot be moved by technique alone and to move an audience is the role of dance as an art.
...all along I've had an ambivalent relationship to photography - but as to whether I thought it an art form, or a craft, or a technique, well, I've always been taken with Henry Geldzahler's answer to that question when he said, I thought it was a hobby.
String theory has had a long and wonderful history. It originated as a technique to try to understand the strong force. It was a calculational mechanism, a way of approaching a mathematical problem that was too difficult, and it was a promising way, but it was only a technique. It was a mathematical technique rather than a theory in itself.
No technique is possible when men are free. Technique requires predictability and, no less, exactness of prediction. It is necessary, then, that technique prevail over the human being.
There's an awful lot to be desired. I've gone to places where people say to me, "What's your technique?" Technique? What the hell technique is there to acting? We're acting because even with my voice I'm giving what I think is what I want to say.
I have acting technique; I have singing technique; I don't have a writing technique to fall back on.
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