A Quote by Kazuo Ishiguro

An artist's concern is to capture beauty wherever he finds it. — © Kazuo Ishiguro
An artist's concern is to capture beauty wherever he finds it.
The experience of beauty is in the eye of the beholder, as they say. The artist's relation to the object of beauty, how the art makes that happen, is a whole other subject. Beauty is an event. Beauty is something that happens. There is no such thing as a beautiful object or a beautiful woman. These things do not come near it - the experience of beauty, the event of beauty. The anxiety about it is what makes it such a central concern of culture and makes us so interested in it.
Wherever snow falls, or water flows, or birds fly, wherever day and night meet in twilight, wherever the blue heaven is hung by clouds, or sown with stars, wherever are forms with transparent boundaries, wherever are outlets into celestial space, wherever is danger, and awe, and love, there is Beauty, plenteous as rain, shed for thee, and though thou shouldest walk the world over, thou shalt not be able to find a condition inopportune or ignoble.
Wherever you go, go with inspiration and aspiration. Whatever you do, do with love and concern. Whomever you see, see with purity's beauty And responsibility's glory.
Whenever Beauty looks, Love is also there; Whenever beauty shows a rosy cheek Love lights Her fire from that flame. When beauty dwells in the dark folds of night Love comes and finds a heart entangled in tresses. Beauty and Love are as body and soul. Beauty is the mine, Love is the diamond.
A Godly leader ... finds strength by realizing his weakness finds authority by being under authority finds direction by laying down his plans finds vision by seeing the needs of others finds credibility by being an example finds loyalty by expressing compassion finds honor by being faithful finds greatness by being a servant
There is nothing simple or dull in achieving the transparent page. Vulgar ostentation is twice as easy as discipline. When you realise that ugly typography never effaces itself, you will be able to capture beauty as the wise men capture happiness by aiming at something else.
The mathematician is fascinated with the marvelous beauty of the forms he constructs, and in their beauty he finds everlasting truth.
The modern view of criminal justice, broadly, is that public concern with morality or expediency decrees expiation for the violation of a norm; this concern finds expression in the infliction of punishment on the evil doer by agents of the state, the evil doer, however, enjoying the protection of a regular procedure.
Beauty is like a sunset: it goes as soon as you try to capture it. The beauty you like is precisely that which escapes you.
The experience of beauty is in the eye of the beholder, as they say. The artist's relation to the object of beauty, how the art makes that happen, is a whole other subject. Beauty is an event. Beauty is something that happens. There is no such thing as a beautiful object or a beautiful woman.
This life is full of trials and tribulations, so you have to capture humor whenever and wherever you can find it.
Liberty is never out of bounds or off limits; it spreads wherever it can capture the imagination of men.
Like attracts like, beauty finds beauty, and freaks look on from the smoking section, aching.
Beauty is for the artist something outside all orders of rank, because in beauty opposites are tamed; the highest sign of power, namely power over opposites; moreover, without tension: - that violence is no longer needed: that everything follows, obeys, so easily and so pleasantly - that is what delights the artist's WILL TO POWER.
Nothing is sillier than this charge of plagiarism. There is no sixth commandment in art. The poet dare help himself wherever he lists, wherever he finds material suited to his work. He may even appropriate entire columns with their carved capitals, if the temple he thus supports be a beautiful one. Goethe understood this very well, and so did Shakespeare before him.
In intercourse with scholars and artists one readily makes mistakes of opposite kinds: in a remarkable scholar one not infrequently finds a mediocre man; and often, even in a mediocre artist, one finds a very remarkable man.
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