A Quote by Kazuo Ishiguro
Memory, I realize, can be an unreliable thing; often it is heavily coloured by the circumstances in which one remembers.
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The body remembers, the bones remember, the joints remember, even the little finger remembers. Memory is lodged in pictures and feelings in the cells themselves. Like a sponge filled with water, anywhere the flesh is pressed, wrung, even touched lightly, a memory may flow out in a stream.
Memory plays tricks. Memory is another word for story, and nothing is more unreliable.
I wish they would use English instead of Greek words. When I want to know why a leaf is green, they tell me it is coloured by "chlorophyll," which at first sounds very instructive; but if they would only say plainly that a leaf is coloured green by a thing which is called "green leaf," we should see more precisely how far we had got.
Memory is corrupted and ruined by a crowd of memories. If I am going to have a true memory, there are a thousand things that must first be forgotten. Memory is not fully itself when it reaches only into the past. A memory that is not alive to the present does not remember the here and now, does not remember its true identity, is not memory at all. He who remembers nothing but facts and past events, and is never brought back into the present, is a victim of amnesia.
The virtues we acquire, which develop slowly within us, are the invisible links that bind each one of our existences to the others - existences which the spirit alone remembers, for Matter has no memory for spiritual things.
It is not simply what one remembers, but why. There are sites of amputation where the past is severed from the body of the present. Remembering only encourages the growth of phantom limbs. And it is not simply what one remembers, or why, but what to do with what one remembers, which of the scattered pieces to carry forward, what to protect and preserve, what to leave behind.
We no longer see the evolution of the nervous system, but that of a certain individual. The role of the memory is very important but... not as important as we believe. Most of the important things that we do don't depend on memory. To hear, to see, to touch, to feel happiness and pain; these are functions which are independent of memory; it is an a priori thing. Thus, for me, what memory does is to modify that a priori thing, and this it does in a very profound way.
Memory is a dead thing. Memory is not truth and cannot ever be, because truth is always alive, truth is life; memory is persistence of that which is no more. It is living in ghost world, but it contains us, it is our prison. In fact it is us. Memory creates the knot, the complex called the I and the ego
Spring passes and one remembers one's innocence. Summer passes and one remembers one's exuberance. Autumn passes and one remembers one's reverence. Winter passes and one remembers one's perseverance.
Memory is never pure. And recollection is always coloured by the life lived since
If there is any realm where distinction is especially difficult, it is the realm of childhood memories, the realm of beloved images harbored in memory since childhood. These memories which live by the image and in virtue of the image become, at certain times of our lives and particularly during the quiet age, the origin and matter of a complex reverie: the memory dreams, and reverie remembers.
The colours of insects and many smaller animals contribute to conceal them from the larger ones which prey upon them. Caterpillars which feed on leaves are generally green; and earth-worms the colour of the earth which they inhabit; butter-flies, which frequent flowers, are coloured like them; small birds which frequent hedges have greenish backs like the leaves, and light-coloured bellies like the sky, and are hence less visible to the hawk who passes under them or over them.
Rational intelligence is dangerous and leads to ratiocination. The painter is a medium who doesn't realize what he is doing. No translation can express the mystery of sensibility, a word, still unreliable, which is nevertheless the basis of painting or poetry, like a kind of alchemy.
It is in many circumstances a troubling thing to belong to the advanced class of a backward nation. One surrenders coherence and begins a difficult process of choice which ends, often, in an eclectic idiosyncrasy.
Memory, like so much else, is unreliable. Not only for what it hides and what it alters, but also for what it reveals.
Memory is slippery. It bends to our understanding of the world, twists to accommodate our prejudices. It is unreliable. Witnesses seldom remember the same things. They identify the wrong people. They give us the details of events that never happened. Memory is slippery, but my memories suddenly feel slipperier.
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