A Quote by Kazuo Ishiguro
I quizzed him a lot on this point and i suspect the truth was that it was like a lot of things at that age: you don't have any clear reason, you just do it. You do it because you think it might get a laugh, or because you want to see if it'll cause a stir. And when you're asked to explain afterwards, it doesn't seem to make any sense.
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He and I always think the same things are funny, and that is such a lot; it's dreadful when two people's senses of humour are antagonistic. I don't believe there's any bridging that gulf! And he is--Oh, well! He is just himself, and I miss him, and miss him, and miss him. The whole world seems empty and aching. I hate the moonlight because it's beautiful and he isn't here to see it with me. But maybe you've loved somebody, too, and you know? If you have, I don't need to explain; if you haven't, I can't explain.
That was probably the biggest adjustment for a lot of people... You have a ball-dominant guy like LeBron that makes plays for everybody. You gotta just be ready at any point because you might not get a shot the first 15 minutes and you might get three or four after that.
I like to do things that I want to see myself. With 'Defending Your Life,' I wanted to see some aspect of death other than angels and the thing that 'Ghost' was about, because that didn't make any sense to me. So that's the reason: it fills a hole.
I think that there's certain music that instead of saying a lot of different things that are on my psyche, I just say, 'I've aged out.' Because that is the best way of putting it, because a lot of things I simply don't understand and will not understand and can't see any intrinsic value in.
I see that things are getting made a lot faster for less money and there are a lot less opportunity, I think, for actors. There's not a lot of work in the U.K. I mean, that's why everyone's moving to America because that's where the work seems to be. But it definitely feels like a lot more of a slog to get a gig these days. I suppose that's a lot to do with our current climate and financial messes. I certainly see that people seem to have to work harder with a lot less time.
I get asked a lot about players like Lionel Messi and Neymar and people seem to have the idea that they don't do any work because they have a God-given talent. That is just not true, they work all the time, they are totally dedicated and that's why they are where they are.
A lot of times, candidates for office, especially incumbents, seem to get drawn into their opponents' arguments, and fighting on their turf, because you want to defend yourself. That's wrong. Fight on your own turf. Make them come to you. Make them explain why they don't agree with your position. I think that a lot of times, too many liberals, progressives, lose because they're afraid to really stand up for what they believe in.
No amount of data will tell you if a feature should be in the product, because it doesn't exist. You need to have a very clear leader with a clear point of view... otherwise, you get a mishmash of features and stuff that doesn't make a lot of sense.
I don't ever see movies by myself. I always see them with other people because I want to know what works. I want to know where they laugh. I want to know where they don't laugh. I want to know what they think about it afterwards because in the end that's what the art that I'm working with is.
When I show up to act in a movie for somebody else, I just want to be nice and helpful and do what they want because I know how difficult it is to make a movie. I don't want to cause any problems. So you show up and do your job, and I think if a director understands that, you don't make a lot of demands.
I don't think 'Euphoria' can capture the entirety of the teen-in-high-school experience, but I think it is realistic. It's scary in that sense because I don't think we get to see a lot of depictions of high school this raw. I think that truth might scare people.
A lot of black men get in desperate situations because they don't see any other avenues to make it. You make a couple of mistakes today, that's all she wrote. You're not going to get a good job; nobody's gonna hire a felon. You can't even vote. They just want to silence you.
The great thing I think when you do independents is that people are really there for the same reason. They're not there because they got a lot of money and they want to just go home and get it over with. They're there because they believe in the script or the director or the cast or whatever it is, and they want to make it work.
We're at a time now where there's a lot more "I'll do whatever it takes" attitude. I'm not going to say or do what you want me to say or do just because it might help me or be the politically correct thing to do to help my career. And that may have hurt me sometimes. I think about different collaborations that have been brought my way - it might have meant I'd get to be on TV to do certain things, but I've said, "No. It doesn't make sense. I'm not doing it." And other people might jump at the opportunity.
One of the things that 'Too Bright' refers to is how there's a lot of times where I see things that I could change that could make me more contented, but I usually just don't make those changes because they seem new and scary. I just stay where I'm at, even if I'm miserable, because I'm familiar with it.
I had a question asked of me the other day, and this is asked of me a lot, surprisingly. 'Is there anything you want that you can't have?' And I said, 'Of course! What kind of question is this? Of course there is.' There's any number of things that I would like to have that I either can't afford or it doesn't make sense to buy. You know, I'd love to have world peace.
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