A Quote by Kazuo Ishiguro

My friends and I took songwriting very, very seriously. My hero was and still is Bob Dylan, but also people like Leonard Cohen and Joni Mitchell and that whole generation. — © Kazuo Ishiguro
My friends and I took songwriting very, very seriously. My hero was and still is Bob Dylan, but also people like Leonard Cohen and Joni Mitchell and that whole generation.
For someone like me, who has grown up with Joni Mitchell and Bob Dylan and Leonard Cohen, it's hard not to invest a lot of myself in what I do.
[I have] my own view about [Bob] Dylan's Nobel prize. Which is, I'm firmly in the Nay camp. I do think the award is a category error, but that's not why. Not in itself. What bothers me is the perceived status of the categories. If pop lyricists were routinely considered for the prize as are authors and poets, I'd still think it mistaken, but I wouldn't much care. But I am quite certain that Joni Mitchell and Leonard Cohen, for example, both at the very least Dylan's equals as writers, have never been in the running and never will be.
Bob Dylan and Leonard Cohen. They're my biggest heroes. I love everything about Leonard Cohen: his lyrics and his voice. He seems like a really clever man, and Bob Dylan does as well. He's just really cool.
When I discovered Bob Dylan and Leonard Cohen, I could explore the records that inspired me on a different level and that led me to Joni Mitchell, who is maybe my favorite of all time, and Warren Zevon. Those artists that wrote the lyrics that you try for.
I've always played acoustically - it's how I learned. I grew up listening to Leonard Cohen, Joni Mitchell, Neil Young, Dylan and what have you.
When you listen to early Leonard Cohen records or Joni Mitchell records, you feel like a window is being opened into someone's life.
I do own CDs by Neil Young, Leonard Cohen, and Joni Mitchell, but I don't think of them as being major influences on my writing.
As a kid, I was listening to Aretha Franklin, Etta James and hip-hop as well as music my parents were listening to, like Joni Mitchell and Leonard Cohen.
There really are two different schools of songwriting-American and Canadian. It's interesting. You guys have this history of guys like Paul Williams and Jimmy Webb, and they're different than Neil Young and Joni Mitchell and Leonard Cohen. All those weird voices come out of Canada. That's because it's so cold here we can hardly open our mouth. We get much less light in Canada. No wonder the writing's dark.
We soaked up everything from Beethoven to Chopin to Jimi Hendrix to Joni Mitchell and Bob Dylan.
As a bit of loner, prone to melancholy, with a questionable sexuality, I found great solace in the words of-Dylan, Joni, John Prine and Leonard Cohen. The darker the better.
I've always associated consciousness with artists like Bob Marley or Joni Mitchell or Bob Dylan. You know, artists that really talked about what was going on in the world and really artists that are timeless.
The way that I write is very instinctual and based off raw feeling--I'm a very emotional person and I think that comes across in my writing. Also the songwriting that I enjoy, for example Elliott Smith, Leonard Cohen and Nico tend to be both photographic and visceral.
My main influences are pop and folk music - Bob Lind, Neil Young, Joni Mitchell, Bob Dylan, the Motown collection, The Zombies, Elliott Smith, and a ton of 70's AM radio hits. I love powerpop too.
I've had mentors who were kind of the troubadour singer-songwriters, like Merle Haggard, Loretta Lynn, Joni Mitchell, Bob Dylan and Neil Young, and that's just what I've always liked - people who would talk real honestly about their lives and their circumstance.
I didn't grow up listening to him - my parents listened more to Neil Young and Joni Mitchell - but I lived in a flatshare for two years, and my flatmate loved Leonard Cohen. He would always play him when he got home from the studio or something.
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