A Quote by Kazuo Ishiguro
I don't have a deep link with England like, say, Jonathan Coe or Hanif Kureishi might demonstrate. For me, it is like a mythical place.
Related Quotes
I don't have a deep link with England like, say, Jonathan Coe or Hanif Kureishi might demonstrate. For me it is like a mythical place.
Jonathan Coe's genial, likeable novel can only be described as a kind of lit-prog-rock concept album... Coe recreates the period with such loving accuracy that I frankly suspect him of having planted a secret microphone in the tin Oxford Mathematical Instruments box I carried around in my school days... As always with Jonathan Coe, the sheer intelligent good nature that suffuses his work makes it a pleasure to read.
Creative writing lessons can be very useful, just like music lessons can be useful. To say, as Hanif Kureishi did, that 99.9% of students are talentless is cruel and wrong. I believe that certain writers like to believe they arrived into the world with special, unteachable powers because it is good for the ego.
As suburbs go, Bromley's not bad. But as David Bowie and Hanif Kureishi have observed, you do want to get out of there quickly.
I'll tell you one thing, and this is banal to say because it just makes it sound like it's all planned, and nothing is planned at all. But one link is with The Deep End, and one link is that I'm making a film later on that revolves around the relationship between an innocent party and a dead body.
A lot of times, people say, 'You're so much like Loretta or Tammy Wynette.' But I feel kind of like one of the men. I'm like David Allan Coe. I've been to prison, man!
You have to remember that writing those sorta songs is not reality, it's more like trance, dream, y'know, like dreamwork. The mythical thing can enter the creating but there's the mythical place and the real place. And there's both...I get it between waking and sleeping. Or, when I'm doing something else. I don't sit down and think I'm gonna write about subject X or subject Y. I could be doing something and an impression comes in from outside and the song emerges out of that. It's never thought about or contrived.
A film is just like a muffin. You make it. You put it on the table. One person might say, 'Oh, I don't like it.' One might say it's the best muffin ever made. One might say it's an awful muffin. It's hard for me to say. It's for me to make the muffin.
I enjoy writing songs that could have been written before [my time]. When I feel like I'm tapping into a deep vein in the body of American music, it gives me strength as a writer, like I'm dipping my pen into a deep ink well. That's the folk music tradition. Like Pete Seeger said, 'Everyone's a link in the chain.' It's a strong chain, so rely on it. ... I believe it takes all those great songs in the past to make your song even a little bit good.
It is the strain of walking around the world-down the street, riding city buses and elevators, moving from place to place to place-and not knowing who might want to destroy you, who might like to fill your heart with poison, who might rob you and stab you, who might stand above you in the dark with a tarantula.
Jonathan Franzen seems like the grumpiest guy, and he doesn't seem to like much of anything, so I really don't care what he has to say.
For a kid in London, Hollywood seems like such a mythical place.
I was never great, but I was a good [basketball] player, and I could play seriously. Now I'm like one of these old guys who's running around, and the guys I play with, who are all a lot younger, they sort of pity me and sympathize with me. They tolerate me, but we all know that I'm the weak link on the court. And I don't like being the weak link.
The budget is like a mythical bean bag. Congress votes mythical beans into it, then reaches in and tries to pull real ones out.
This is love-not what we say to each other but what we not say. Sometime it just one look exchange. Sometime one word. But underlining everything we say or not say, something else. Something heavy and deep, like when we in bed and looking into each other's eyes. For six years, everything between husband and me was on top, like skin. Now it hidden, like bone and muscle. [] He care for me now. He finally see me. And he like what he see.
Because there's no accountability on line in the same way there is in real life, all of a sudden you can say like, yeah, I hate women; I want to kill women. And you can say that online, and not only will you find a place to say it, but you'll find a place to say it where people are like, yeah, me too.
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