A Quote by Keala Settle
The parts that I get to play are not based around the European beauty standards: They're more about character, and I love that.
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I don't think I want to play title roles. I don't want to be the face on the poster. I don't want that pressure of having the success riding on my shoulders. I just want to play the most interesting parts. I actually think it's incredibly rare to get an interesting female character that is the lead in a film. Usually the character parts are so much more interesting to play.
The whole music business in the United States is based on numbers, based on unit sales and not on quality. It's not based on beauty, it's based on hype and it's based on cocaine. It's based on giving presents of large packages of dollars to play records on the air.
Radio means you can play parts that aren't based on your looks or your age. It's a lot of fun. You can do tremendous things - play more diverse characters - that you wouldn't get to do in theatre or TV.
At my school, which was all boys, I played almost exclusively lady parts. When I say lady parts, I mean parts that were ladies. To actually play lady parts would be weird, even by English standards.
Everyone has something of beauty about them. But loving let's you look, and look, and look again. You notice the back of a hand, the turn of a head, the way of a walk. When you first love, you look blind and you see it all as the glorious, beloved whole, or a beautiful sum of beautiful parts. But when you see the one you love as pieces, as why's, you can love those parts too, and it's a love at once more complicated and more complete.
We live in a culture where European beauty standards are dominant.
European standards of beauty are something that plague the entire world - the idea that darker skin is not beautiful, that light skin is the key to success and love. Africa is no exception.
Every director is always directing around the play. If you have an actor who really doesn't get the character well enough, you have to direct the play around that character. You have to make choices with that actor. If you have an actor that really doesn't get the role and has certain visions of the role, sometimes you have to direct around that actor.
The Common Core State Standards are based on the best international research. They are built on the standards used by the most effective education systems around the world, including Singapore, Finland, Canada and the U.K.
I love accents, I would love to find more characters with a variety of vocal intonations. It creates a character. It’s like you're singing a song. Some people find their character through walking or movement — for me, voice is one of the ways I find parts of the character.
I love accents; I would love to find more characters with a variety of vocal intonations. It creates a character. It's like you're singing a song. Some people find their character through walking or movement - for me, voice is one of the ways I find parts of the character.
I still think there is a huge emphasis on how women look, whether it's fitting a certain mold to play a certain type of character, or the idea that we might have insecurities based on the standards we see in the media.
Particularly with the plays I choose, they're good parts, and they're parts that have been around long before a bad actor played them, and will be around long after I play them. Part of what I enjoy about the theatre and acting is that sense of history.
I like challenging parts, something I haven't done yet, something that scares me. There's just a feeling I get when I read a script that I love, I feel an attachment to it, a yearning to play that character.
I listened to this book, 'The Beauty Myth,' about how beauty standards are messing with women in Western society, and I was like, 'I don't know this.' I have no idea, and I don't pretend to, but now I'm more aware of it because I've engaged on that frequency.
We used to have adults who set standards, moral standards, cultural standards, legal standards. They were better than we were. They gave us something to aspire to. They were people that we described as having dignity and character. That's all gone now, particularly the upper levels of the Democrat Party. There isn't any of that kind of decency, dignity, character, morality.
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